Friday 28 February 2014

SHAADI KE SIDE EFFECTS MOVIE REVIEW

Film: Shaadi Ke Side Effects (Hindi, 2013)
Cast: Farhan Akhtar, Vidya Balan, Ram Kapoor, Vir Das
Music : Pritam
Distributed by : Balaji Motion Pictures
Director : Saket Chaudhary
Produces : Ekta Kapoor, Shobha Kapoor, Pritish Nandy
Written by : Saket Chaudhary
Release dates : 28 February 2014
Watched Theater: Harihar Cinema's, Guntur
Rating: 2.5/5

Farhan Akhtar and Vidya Balan New Bollywood Film Shaadi ke Side Effects Movie Review:

The battle of sexes is not new to Hindi films. Men are from Mars, women from Venus theory has been dealt with much too many times in movies in the past especially in pretext to relationships with the prominent example being Pritish Nandy Communications' Pyaar Ke Side Effects. It's only obvious then for people to have high expectations from its sequel - Shaadi Ke Side Effects. With a fresh pairing of Farhan Akhtar and Vidya Balan, the movie starts off brilliantly but somewhere along the courses loses plot.

Story:
The movie starts off with a married Siddharth (Farhan) striking up a random conversation with also married Trisha (Vidya Balan) at a discotheque. The two hit it off over bickering about their spouses so much so that their tryst turns into a one night stand only to for us to know during its course that they are married to each other and it's just a role play to keep the fire in their relation alive. Sid does everything in his capacity to keep his marriage "happening" and gives suggestions to others as well on how to keep away from the marital fights but a baby is never in his scheme of things. The finds himself losing control over his life and marriage the moment Trishna announces her pregnancy and the banter and bickering start off from thereon.

Artists Performance:

It's not just Vidya and Farhan that keep you going during the low points of the film. Given the fact that the two are brilliant in their parts, it's also the side actors like Vir Das and Purab Kohli, no matter how conveniently placed in the storyline, who keep up the humour quotient.

Technical and Other Departments:

The writer somehow managed to come up with the lamest comic scenes Bollywood has ever seen, in the first half. Farhan Akhtar is not delivering a convincing, impressive act but is over acting most times in this direction-less movie. Scenes don't have a progression of sorts but are a pile of random scenes put together. All of these scenes remind us of the same situations we have seen in many cliché American comedies.
Screenpaly is good. Music is Avarage.

Movie Analysis:

aket Choudhary, who also helmed the cult comedy Pyar Ke Side Effects, kick-starts his film with gags and situations that are so relatable that you can't help but break into splits every time. Both Farhan and Vidya are spot on with their comic timing and even the chemistry between them is infectious.
Interestingly, as an audience you empathize with both Trisha and Sid and laugh at their miseries as well. However, the laughathon comes to a grinding halt at the interval. The second half starts spiraling downwards and the graph never sees a high from thereon. It's as if the movie should've ended in the first half itself for there's only melodrama and preaching in the second which is a complete put off after a hilarious first half.


Final View:

Overall, Shaadi Ke Side Effects is a great rom-com gone bad. The movie still is a great watch only and only for its first half.






















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BASANTI MOVIE REVIEW

Film: Basanti (Telugu, 2014)
Cast: Raja Gowtham, Alisha Baig, Sayaji Shinde, Tanikella Bharani, Dhanraj, Ranadhir,  Naveen and others
Music: Manisharma
Dialogues: Srikanth Vissa
Cinematography: Anil Bhandari-PK Varma
Editing: Marthand K Venkatesh
Stunts: Dragon Prakash
Art: Raghu Kulakarni
Co-producer: Vivek Kuchibhotla
Banner: Start Camera Pictures
Story, screenplay, produced and directed by: Chaitanya Dantuluri
Release date: Feb 28, 2014
Watched Theater: Tollywood, Guntur
Rating: 2.75/5

Raja Gowtham and Alisha Baig New Telugu Film Basanti Movie Review:

Comedian Brahmanandam's son Gautham made his acting debut with 2004 film Pallakilo Pelli Kuturu, which bombed at the Box Office. After seven years, he played hero in movie Vareva, which also failed to give him a break. In a bid to get a hit, he has done lot of hard work for his third movie Basanti, which has hit the screens today. Even leading stars like Chiranjeevi, Mahesh Babu, Pawan Kalyan, NTR, Prabhas, Allu Arjun and Ram Charan have helped to promote the film.

Story:

Arjun (Raja Gowtham) is a final degree student in Basanti College, Hyderabad. He falls in love with Police Commissioner's daughter Roshini (Alisha). On the other hand, an ISI terrorist Ghaji comes down to Hyderabad to plant bombs at international conference. Police come to know his plan and chase him. He escapes from Police firing and lands in Basanti College taking students as hostages. The rest of the story is how Arjun handles the situation.

Artists Performance:

Raja Goutham is decent as an actor and did well in serious scenes. However, he need to improve in performing casual scenes and dances. New actress Alisha Baig has average looks but performed well. Ranadhir played his part well. Naveena Jackson is bubbly in the role of Ranadhir’s girlfriend. Tanikella Bharani is natural as hero’s father. Sayaji Shinde enacted his part well, but his English diction not good (for an IPS officer). Dr. KSI who is basically a noted theater actor in Hyderabad has donned the role of terrorist and he performs extremely well. Bhanu is good as a sleeper cell member.

Technical and Other Departments:

The story idea is good and different from the run-of-the-mill stories we are offered. Director Chaitanya Danthuluri has succeeded in setting the plot up well. The entire first half is concentrated on introducing characters and driving the story to the main plot point. The heart of the film lies in the episodes related to hero saving hostages. These episodes should have been more intelligently written and more effectively handled. Background music by Mani Sharma is outstanding. Songs are good. I expected Thitugubatu song to have some situational strength. But the director used it for a song on hero’s gang in introduction episodes. Vellakura song is good. Cinematography by Anil Bandari and Varma is nice. Dialogues by Srikanth Vissa are good. Fights choreographed by Dragon Prakash are impact making. Production values by producer Chaitanya Dantuluri complements the story.

Movie Analysis:

First half of the film is decent. The hostage rescue episodes should have been gripping in second half. Chaitanya Danthuluri is a promising filmmaker and takes up a potential subject, but falls short in making it a well-made film. Plus points of the film are different plot point and background score. On the flipside, the second half should have been more impact making. We have to wait and see how movie lovers embrace this movie.

Final View:

Basanti deals topical theme but the way it is told is not convincing. Good attempt, better execution would have made a lot difference.























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Saturday 22 February 2014

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AAHA KALYANAM MOVIE REVIEW

Film: Aaha Kalyanam (Telulu, Tamil, 2014)
Cast: Nani, Vani Kapoor, Simran, and others
Story: Maneesh Sharma
Screenplay: Habib Faizal
Dialogues: Shashank Vennelakanti
Choreography: Brinda
Music by: Dharan Kumar
Cinematography: Loganathan Srinivasan
Editing by: Bavan Sreekumar
Studio: Yash Raj Films
Produced by: Aditya Chopra
Directed by: A Gokul Krishna
Release date: February 21, 2014
Watched Theater: CineSquare, Guntur
Rating : 3.25 / 5

Nani and Vani Kapoor New South film Aaha Kalyanam Movie Review:

Bollywood producer Aditya Chopra has made his debut in South Indian film industry today (February 21) with the movie  Aaha Kalyanam starring Nani and Vaani Kapoor in leads. Yash Raj Films' bilingual movie is very funny and entertaining, but it has lot of Tamil scent and lacks Telugu nativity. It is not simultaneously made in Telugu and Tamil. It is shot in Tamil and dubbed in Telugu with the same title.

Story:
Nani and Vani (Kapoor) have tried their best to make this film work as the movie proceeds in a slow manner. Starting off on a dull note, the film picks up the momentum post interval. Best sequences that have really worked are climax moments. But your patience will be put to test with this movie. An unnecessary song in a wedding in the second half, silly fights between the lead pair also mar the mood post interval.
Twenty-years-old Sruthi (Vani Kapoor) dreams of launching her own wedding planning business inspired by Chandra Lekha (Simran), a leading wedding planner in the city. She meets an aimless student (Shakti) who enters into a wedding to have free dinner. They soon hit off well and become partners in business. She believes one should not mix romance with finance but as they journey together she falls in love. A twist in the tale makes them part ways.

Artists Performance:

Nani is the backbone and connect to Telugu audiences for this movie. It just comes natural for him to improvise and entertain audiences. He has made sure that there is a rustic charm is his characterization and dialogue delivery. He delivers big time with his improvisation in the climax. Vaani Kapoor is beautiful and natural with her work. She looks so sweet that it’s odd to look at her while she is crying on the screen. Simran played the role of a sophisticated wedding planner, but she didn’t bring the sophistication to her high-profile role. All other actors are from Tamil and are aptly cast.

Techincal and Other Departments:

This film is a faithful adaptation of it’s Bollywood original Band Baaja Baarat. Hence almost entire film is similar. New director Gokul Krishna has partly succeeded in getting it alright. Nani compensated a lot with his dialogue improvisation during dubbing, but a film of this nature needs native actors to make it appeal to the Telugu audiences. A fast paced narration is needed in the second half.

The visuals in the beginning of the film are very slick and at par with the standards of Yashraj films. The cinematographer Loganadhan Srinivasan has done a nice job. Music by Dharan Kumar is decent. The title track and the punch dialogues song are winners. Dialogues written to Nani are witty. Art direction deserves a special mention. Editing by Sreenivasan is fine. Production values by Yashraj Films are efficient.

Movie Analysis:

Aha Kalyanam is a Tamil remake of Bollywood film Band Baaja Baarat which is simultaneously dubbed in Telugu with the same name. I belong to the category of people who have already watched Hindi version. Since it’s a faithful adaptation, I can only comment on the value that is added in Telugu version. Nani’s dialogues and improvisation is something that differentiates from the original. The rest will depend on how the Telugu audiences lap up this romantic comedy where the conflict point arises out of lead pair having premarital sex!

Final View:

Aaha Kalyanam is faithful remake of Band Baaja Baaraat, Hindi film but it lacks the abundant exuberance the original had in it. Okay movie.

















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GUNDAY MOVIE REVIEW

Film : Gunday (Hindi,Bengali, 2014)
Cast : Ranveer Singh, Arjun Kapoor, Priyanka Chopra, Irrfan Khan
Music : Sohail Sen
Background Score: Julius Packiam
Cinematography : Aseem Mishra
Editing : Rameshwar S. Bhagat
Director : Ali Abbas Zafar
Producer : Aditya Chopra
Written by : Ali Abbas Zafar
Narrated by : Irrfan Khan
Studio : Yash Raj Films
Release date : 14 February 2014
Running time : 152 minutes
Budget : INR50 crore (US$8.0 million)
Box office : INR61 crore (US$9.8 million)(8 days)
Rating: 3 / 5

Ranveer Singh and Arjun kapoor New Bollywood Film Gunday Movie Review:

If there's one film that's unapologetic about being soaked in the '70s flavour it is Gunday. There's formula galore in the film, so let me put it out upfront - Bromance, love triangle, betrayal, fight between two thick friends over a girl etc is all that you'll see in Gunday. But don't you consider it a spoiler because the makers themselves have made no bones about revealing this. The hook here is the execution. Despite a predictable plot, it's the screenplay, acting and drama that gives you your money's worth.

Story:

Tracing the epic bromance, Gunday starts off with rise of Bangladesh post the 1973 war and how two refugee friends Bikram (Ranveer Singh) and Bala (Arjun Kapoor) get sucked into trading illegal weapons in a bid to make a living. Post a life threatening incident, the two flee to Calcutta, turn coal mafia and build their empire there of all things wrong. The two rule Calcutta and all is well in their thick bromance till Nandini (Priyanka Chopra), a cabaret dancer walks in. Both fall for the same girl but she only loves one leaving the other heart broken. With ACP Satyajit Sarkar (Irrfan Khan) looking for one chink in the armour, he uses this against the Gunday and all hell breaks lose.

Artists Performance:

Both Ranveer and Arjun show tremendous screen presence and the filmmaker doesn't leave a chance to capture their offscreen bonding onscreen. The two are quite a pleasant sight too what with all their bronzed, beefy body; yet another move by the maker to nail the tall, dark and handsome phenomenon. It's surprising how they easily over shadow the presence of the original desi girl of Bollywood, Priyanka Chopra. All her tremendous beauty goes to waste in front of the boys' bromance.

Techincal and Departments:

The movie also scores for its setting and backdrop. Ali Abbas Zafar pulls off a commendable job of recreating Calcutta of the '70s. Even the slick action and the styling of the actors is praiseworthy.

Final View:

Overall, Gunday is entertaining despite being a masala fair. This old wine in a saucy new bottle works!

















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HIGHWAY MOVIE REVIEW

Film : Highway (Hindi, 2014)
Cast : Randeep Hooda,Alia Bhatt
Music : A. R. Rahman
Cinematography : Anil Mehta
Editing : Aarti Bajaj
Director : Imtiaz Ali
Producers : Sajid Nadiadwala, Imtiaz Ali
Written by : Imtiaz Ali
Studio : Window Seat Films,Nadiadwala Grandson Entertainment
Distributed by : UTV Motion Pictures
Release date : 13 February 2014 (Berlin), 20 February 2014 (UAE),21 February 2014 (Worldwide)
Running time : 133 minutes
Rating : 3.5 / 5

Randeep Hooda and Alia Bhatt New Hindi Film Highway Movie Review:

Travel has been an intrinsic part of all Imtiaz Ali films right from Socha Na Tha to Rockstar but with Highway, the filmmaker takes you on an unforgettable road trip that not only touches you but also leaves you with ample to mull over.

Story:

An otherwise free-spirited girl Veera Tripathi (Alia Bhatt), daughter of a rich businessman, gets claustrophobic with all her relatives gearing her up for her marriage. Fed up with the suffocating environment, she calls her fiance in the middle of the night and much against his will insists on going for a drive towards the highway. Their drive goes horribly wrong and leaves Veera in the hands of a goon Mahabir Bhatti (Randeep Hooda) who kidnaps her. On learning her privileged background he keeps her at ransom and takes her along state to state only to realize life has something else in stores for him as he finds Veera enjoying her freedom whilst with him.

Artists Performance:

Alia Bhatt, in career defining performance, delivers the best that is expected from the director. Imtiaz's casting is just fantastic. Randeep Hooda, an actor who was lost in the dirty pile of cliché, semi porn films has made a great come back to the real cinema through Highway.

Technical and Other Departments:

This review is not complete without the soulful music by AR Rahman that adds richness to the picturesque landscape and the breathtaking cinematography of the scenic Himachal. I am sure no other Indian films would have pictured the kind of scenic and strange locations seen in this film. Director Imtiaz Ali scores again in choosing these exotic locations to tell his story. These locations actually become the characters in the movie and helps the narrative to a great extent.
The songs and background music helps to blend the scenes together. In total, this is a beautiful film about human enlightenment and seeing the beauty in all things around us. Film suggests the audience to lead a more fulfilling life by expressing themselves in the way they want to.

Movie Analysis:

It's after Socha Na Tha that Imtiaz Ali brings about an infectious innocence in his film that instantly strikes a chord with the audience. The movie starts at a languid pace and keeps to it right till the end but doesn't give you a chance to complain for it takes you along with its journey making you feel for the characters, their joy, inhibitions, pathos et al. Imtiaz Ali who's had a strong hand at capturing emotions of the Gen-X once again taps the young minds and tackles their concerns with utmost sensitivity.

One of the strongest points in the film is casting. The director almost nails the casting by roping in Alia Bhatt who gives a startling performance. It wouldn't be an overstatement to say that the movie thrives on her young yet strong shoulders as she delivers one flawless sequence after the other. There couldn't be another actor than Randeep Hooda to complement her well. The man who is listed amongst one of the hottest men of India easily slips into the unkempt goon's role and is spot on in the mannerisms, accent etc. There's ample soul in the chemistry between the two and you literally feel for the character.
The movie does get melodramatic towards the second half with the layers of Mahabir's character peeling off but it's the actors' histrionics that keep your interest in the film going.

Final View:

Overall, Highway is tantalizingly delicious and a journey you would want to embark on. Must watch.




















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DARR @ THE MALL MOVIE REVIEW

Film: Darr @ The Mall(Hindi, 2014)
Cast : Jimmy Shergill, Nushrat Bharucha,Arif Zakaria,Asif Basra,Nivedita Bhattacharya,Shradha Kaul
Music : Shankar-Ehsaan-Loy
Studio : Multi Screen Media Motion Pictures, Contiloe Entertainment
Director : Pavan Kirpalani
Distributed by : SPE Films India Pvt Ltd
Released date : February 21, 2014
Watched Theater : Harihar Cinemas, Guntur
Rating : 2 / 5

Jimmy Shergill and Nushrat Bharucha New Bollyfilm Darr @ The Mall Movie Review:

Trailers actually prove the importance of their being in case of films like Darr @ The Mall. One look at the promos and you know this is Grudge meets Mama meets Conjuring affair. Why do you watch it still? For the "novel" idea of the haunting occuring in a mall. Does it surprise you? Not really!

Story:
Vishu Sharma (Jimmy Shergill) is roped in as chief of security on the suggestion of a security head who dies an accidental death while working in the mall quite like the eight others in the past. The mall is now shut and rumours about it being haunted start doing the rounds in media. Now the owners want to host a lavish party only to prove things are normal and reopen the mall. Vishnu who is new to the mysterious occurrings starts investigating the details only to unearth a horrid history behind the making of the mall but by which time the peeved spirit is out to get the wrong doers who are enjoying their party.

Artists Performances:

Jimmy Shergill is the only minimal respite in this trite apparent horror film who performs with utmost earnesty. The likes of Nushrat Bharucha and Arif Zakaria only ham and stutter throughout the film.

Technical and Other Departments:

There nothing new in the story and lack of screenplay & Direction, Only Sound effects and Backgroung score will feel you that, yes this is a Horror film.

Movie Analysis:

Darr @ The Mall relies on cheap thrills with cakey faced ghosts, ghostly children and sound effects. So there's more thuds and sudden elevation of background score along with creepy faces being thrown at you rather than an interesting plot which can work on your mind and scare you. To make matters worse you have ideas heavily borrowed from the West and shabbily treated which end up being unintentionally humorous.

Final View:

Overall, Darr @ At The Mall in short is a cliched horror film with extremely lengthy run time which bores you to the core. Easily avoidable.



















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Saturday 8 February 2014

PAISA MOVIE REVIEW

Film: Paisa ( Telugu, 2014)
Cast: Nani, Catherine Tresa
Music : Sai Karthik
Cinematography : Santosh Rai
Editing : Thiyagurajan
Studio : Yellow Flowers
Budget : INR10 crore (US$1.6 million)
Director : Krishna Vamsi
Producers : Ramesh Puppala
Written by : Padmasri,K. K. Benoji,Patrikeya
Watched Theater : Siva A/c, Guntur
Rating : 3.25 / 5

Nani and Catherine Tresa New Telugu Film Paisa Movie Review:

Pasupuleti Krishna Vamsi, who is known for his message-oriented movies, is back with another wonderful theme in his latest directorial venture Paisa starring Nani and Catherine Tresa in leads. He throws light on how money has become everything for some people in the current world. But the director seems to have lost grip on the subject as he fails to engage and entertain the film goers.

Story:

Prakash(Nani) is a desperate guy, who wants to earn money and settle down. He works as a model for an old city Sherwani firm. A Muslim girl named Noor (Catherine Tresa) falls in love with him at first site. But Prakash is after Sweety (Siddhika Sharma) for some financial gains. He lands in a big problem, when he finds Rs 50 crore (Hawala money) in the trunk of his car. Who does money belong to? How the money came in his car? What will Prakash do with it? Will Prakash marry Noor? Answers to all these questions will form the crux of the story.

Artists Performance:

Nani has given brilliant performance in Paisa. With his matured acting, he impresses you in all kind of scenes like action, romantic and comedy. As Noor, Catherine Tresa looks cute. Siddhika Sharma, who has played second female role manages to impress with her glamour in a brief screen presence. Tabar tries his best to tickle your funny bones. Others like Bharath Reddy, Charan Raj, Raja Ravinder, Duvvasi Mohan and Raju Srivasthav have also done justice to their roles.

Technical and Other Departments:

Paisa has sound production values and Sai Karthik's soundtracks and brilliant background score are the main attractions in the technical front. Santosh Rai's camera work is another big strength of the film. Thiyagurajan's editing is good, but chopping a few unnecessary scene would have made the film even better watch. Other technical departments have done commendable job.

Movie Analysis:

Paisa is an action entertainer with a nice blend of romance and high entertainment quotient. Nani's performance is the main highlight in the film. Krishna Vamsi's brand new story, Sai Karthik's music, Santosh Rai's cinematography, Tabar's comedy timing and power-packed dialogues are other big strengths of the movie. A few unnecessary scenes, which bore audience, are its drawbacks.Krishna Vamsi, who wants to deal with Hawala and money laundering issues in a different way, has chosen wonderful story for Paisa, but he has failed to execute his ideas on screen. He tries to showcase how politicians squander their black money during the election time. Although he has added all the masala elements to it, the director could not hold the attention of the viewers. The reason is that his screenplay lacks interesting twists and turns to engage them.The movie opens with the title track 'Paisa' and it heads to show how two politicians competing to spend heavily to become MLA. The first half of the film has three beautiful songs, a chase scene and a few comedy moments. The movie runs on same pace and an interesting twist at the interval bang sets a momentum for the narration. However, the second half fails to carry forward this mood and it bores the audience.

Final View:

Overall, Paisa is a good commercial entertainer, but it is not upto the mark of Krishna Vamsi's previous ventures. Nani's performance is the saving grace in the film. You can watch the film, If you are a hardcore fan of Nani or Krishna.





















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HEART ATTACK MOVIE REVIEW

Film: Heart Attack (Telugu, 2014)
Cast: Nithin, Adah Sharma, Brahmanandam, Ali, Ajay, Prakash Raj, and others
Lyrics: Bhaskara Bhatla
Music: Anup Rubens
Cinematography: Amol Rathod
Editing: S R Sekhar
Art: Brahma Kadali
Fights: Ram - Lakshman
Co-writer: Kalyan Varma
Presented by: Lavanya
Banner: Touring Talkies
Written, produced and directed by: Puri Jagannadh
Release date: January 31, 2014
Run Time: 150 Mins
Watched Theater:Naaz Delux A/c, Guntur
Rating: 2.75 / 5

Nithin and Adah Sharma New telugu Film Heart Attack Movie Review:

After working with biggies like Mahesh Babu, Pawan Kalyan and Allu Arjun, Puri Jagannadh has now chosen actor Nitin for his latest directorial venture Heart Attack, which has hit the marque today (January 31). It is a formulaic movie made in Puri's style. The lead actors' performances and rich production are the big assets of the movie.

Story:
Varun (Nithin) who lost his parents in his childhood roams around the world as hippie. He doesn't believe in commitment in love. When he is in Spain, he falls for a Telugu beauty Hayati (Adah Sharma) who lands in Spain from Goa to meet a friend. He follows her and her friend daily. Hayati hates his advances in the first, but slowly develops soft corner towards him. When he asks an hour-long kiss from her and nothing else, she agrees on one condition and leaves him after that. What is that condition and what happens after that?

Artists Performance:

This is the best character done by Nitin so far in his career. He has interpreted his character excellently and performed it to perfection. His dialogue delivery, expressions and body language are just perfect. Nitin is completely at home and in his comfort zone while enacting an exotic character designed by Puri Jagan. Adah Sharma looks exotic and performs well. Voice dubbed to her in the movie adds another dimension to her character. Kesha Khambhati is vivacious with her work. Brahmanandam comes up with another hilarious performance as ISKON Ramana who is serving for ISKON in Spain. Ali provides entertainment in second half as a Tamil vendor in Goa and as a fan of Rajnikant. Ajaz Khan played the role of main villain and he fits the bill. Ajay played a baddie and his mannerisms and expressions in a few scenes are praiseworthy. Prakash Raj plays a cameo and gives a happy ending to the movie.

Technical and Other Departments:

The basic storyline is very thin. This film is about small moments and characterizations. After introducing the character of bounty hunter with Ek Niranjan, Puri Jagan introduces another unusual character of a hippie with Heart Attack film. He has narrated the entire movie from hero and heroine point of view and didn’t compromise on any aspect. He has shown the pain of love in an intense way. He has effectively used craigslist website for hero’s employment, which in turns helps him to achieve the goal in climax. The way he cut the Titanic film and interpreted from Brahmanandam’s point of view is hilarious. I liked the way clock is shown in pre-interval kissing episode. The threads of Brahmanandam and Ali are used for familiarising with the proceedings as the entire film is shot in exotic locations (Spain, Thailand and Goa). There is no Andhra Pradesh backdrop to it. Puri Jagan has maintained the same texture to the entire film.

Cinematography by Amol Rathod is a huge asset. Camera angles and framing of shots is in exquisite taste. The visual effects and color grading complements the visuals (you can see the finesse of visual effects in the blade flying in the climax). All songs scored by Anup Rubens richly accentuates with the spirit of the movie. All songs have good beat and are hummable. Background music by Anup Rubens is excellent. Lyricist Bhaskarabhatla sums hero’s characterization up as ‘ee life ki sequel ledura mama’ in introduction song. The editing cuts and styling patterns deserves special mention. Action episodes composed by Ram Laxman are extremely stylish. Art director Brahma Kadali does a neat job as we see almost virgin locations on a Telugu screen. Editing by SR Sekhar is crisp. This is the first film produced by Puri Jagan on his Touring Talkies banner (earlier films were done on Vaishno Media banner). One can see his uncompromising attitude as producer when you look at lavish visuals on the screen.

Movie Analysis:

Heart Attack is one of the few Puri Jagan’s films where the characterization of hero is consistently and convincingly maintained from the first frame to last frame. It is also probably one of the few films where the entire story is set outside AP. Puri Jagan takes a lot of risk and sticks to his story and characterizations without bothering for other commercial aspects. Liking or disliking this movie depends on how you connect and travel with the character of hero in the film. These kinds of movies have potential to do well if made in Bollywood as national market supports them. This is the best stylized movie done by Puri Jagan so far. We have to wait and see how Telugu audiences embrace the movie.

Final View:

Heart Attack definitely has style and rich visuals but the love story is told in too simplistic manner to take it seriously.


















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PANDAVULU PANDAVULU TUMMEDA MOVIE REVIEW

Film: Pandavulu Pandavulu Tummeda(Telugu, 2014)
Cast: Dr. M. Mohan Babu, Vishnu Manchu, Manchu Manoj, Brahmanandam, Varun Sandesh, Vennela Kishore, Tanish, Hansika, Raveena Tandon, Praneeta, Gurleen Chopra, Alekhya Varma, Mukesh Rishi, Raghubabu, Supreeth, Bharani, Shravan, Giribabu, Kasi Vishwanath, Ali, Thagubothu Ramesh, M.S. Narayana, Krishna Bhagawan, Telangana Shakuntala, and others
Story by:  BVS Ravi
Screenplay: Gopi Mohan,   Kona Venkat
Dialogues: Rathnababu
Lyrics: Chandrabose, Bhaskarabatla, Anantha Sriram
Cinematography: M.R. Palani Kumar
Music directors: Bappa Lahiri, Achu
Fights: Vijay, Selva
Editing: M.R. Varma
Art director: Raghu Kulakarni
Presented by: Ariaana - Viviana
Producers: Vishnu Vardhan Babu Manchu, Manchu Manoj Kumar
Director: Sriwass
Release date: Jan 31, 2013
Run Time: 156 mins
Watched Theater: Siva A/c, Guntur
Rating: 2.75 / 5

Mohan Babu, Vishnu Manchu, Manchu Manoj New Telugu Film Pandavulu Pandavulu Tummeda Movie Review:

Manchu family starrer Pandavulu Pandavulu Tummeda, which has garnered a lot of positive buzz due to its ensemble cast, has released in theatres today (January 31). The movie, which seems to have been inspired from hit Bollywood movie Golmaal 3, is good commercial movie, which is high on entertainment quotient.

Story:

Naidu (Mohan Babu), tour guide and his former lover (Raveena Tandon) live in Thailand unknown to each other. Both are single parents now, Naidu is a father of three children (Manoj Manchu, Varun Sandesh and Tanish) and she mother of two children (Vishnu Manchu and Vennela Kishore). In the beginning both their children don't bond well and fight with each other. Honey (Hansika) brings Naidu and his former lover together and gets them married. Honey is also in love with Vijay (Vishnu). On other hand, a gang from India is searching for Honey (Hansika Motwani) and soon they find her in Bangkok. She is kidnapped and taken to India. How Naidu's family including five children land in India to bring back Honey forms the rest of the story.

Artists Performance:

This film totally belongs to three actors Mohan Babu, Manoj and Vishnu. Mohan Babu plays the role of Naidu that has different shades like a doting father and a strategist. And has two different get-ups: a tour guide (first half) and an astrologer (second half). Vishnu looks very good in action episodes and his chemistry with actress Hansika is nice. It’s Manoj Manchu steals the show with Mohini character in the second half. He plays a character that has three different dimensions - a conman, a lady and a cop. He has shown nice variations in these three characters. His portrayal of Mohini character is superb. Varun Sandesh does a character who has the knack of coming up with hatke one-liners. Tanish plays the role of a mute guy and is alright. Hansika Motwani adds glamor with her looks. Praneetha looks good as modern girl. Raveena Tandon is paired up with Mohan Babu and made a re-entry into Telugu after a huge gap. Brahmanandam is entertaining as Bapure - a Telugu language/culture lover. Vennela Kishore had less screen space, but does well. Supreet will get a break as comedian with this movie as his character is well written for entertainment in the second half. Dasari Narayana Rao did a cameo as Raveena Tandon’s father in flashback episode. Telangana Sakuntala is good though she acted in a couple of scenes. Rukesh Mukhi, Shravan, Giri Babu and others are adequate.

Technical and Other Departments:

Story of the film is divided into two parts. The first half story of the movie is inspired by Golmaal 3 film. But the writer has added another element in the story which leads us to the part in second half. The concept of getting inspired by Narthanasala movie and enacting 13th year of Pandava Vanavasam in Kaurava’s place in disguise is a novel idea. The comedy of errors that are generated due to the screenplay of Manoj doing two roles Mohini/Mohan adds up to it. The director who didn’t show his grip of narration in the first half managed to get things right in second half mainly due to a good screenplay technique.

Pandavulu Pandavulu Tummeda reviewOther departments: Dialogues written by Diamond Ratna are partly good. Music scored by Achu and Bappa Lahari is okay. Chinna has effectively used a few nice old songs in background music to help the situations. Cinematography by Palani Kumar is fine. Some of the action sequences composed by Manoj himself are good. Editing is alright. Producer Vishnu is concentrating more on entertainment aspects in his films which is turning out to be a right thing to do.

Movie Analysis:

First half of the film is okay. Second half has some nice entertaining moments. Plus points of the film are main leads, screenplay in second half and the lady get-up of Manoj Manchu. Pandavulu Pandavulu Thummeda is a kind of film that caters to everybody. With entertainment as it’s strength in the second half, the prospects of Pandavulu Pandavulu are good at box office.

Final View:

In Pandavulu Pandavulu Tummeda, there are few genuinely comic moments but rest are lowbrow. It is clearly aimed at mass audiences. Manoj and Brahmanandam provide comedy in the second half. Watch it for comedy.























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JAI HO MOVIE REVIEW

Film: Jai Ho (Hindi,2014)
Cast: Salman Khan,Tabu,Daisy Shah,Danny Denzongpa
Music by -
Songs: Sajid-Wajid, Devi Sri Prasad, Amal Malik
Director : Sohail Khan
Producers : Sohail Khan, Sunil Lulla
Written by : A R Murugadoss
Screenplay by : Dilip Shukla
Based on :Stalin by A. R. Murugadoss
Background Score: Sandeep Shirodkar
Cinematography : Santosh Thundiyil
Editing by : Harsh Tiwari
Studio : Sohail Khan Productions
Distributed by : Eros International
Release dates : 24 January 2014
Running time : 135 minutes
Budget : INR65 crore (US$10 million)
Watched Theater: Harihar Cinema's, Guntur
Rating: 2.5 / 5

Salman Khan New Hindi Film Jai Ho Movie Review:

Jai Ho, Bollywood's this year's jackpot, hit the theatres last Friday and is receiving mixed response. The film, on which a lot of expectations are riding on, hasn't netted the expected opening sum but still considered a hit. The nature of reviews came from the critics were same. As Jai Ho is a masala entertainer, it couldn't impress the intelligentia of the country. From a business point of view, Jai Ho has collected 60.68 crores within three days and Salman camp expects it to hit the 100 crore club within the coming week.

Story:

Jai, an upright common man is fighting a solitary war against corruption and injustice. Honest and incorruptible, he has made it his mission to help as many people as he can. His mantra is quite simple – help somebody and then request that person to lend a helping hand to somebody else – thus forming an ever growing circle of people helping each other. In a strange twist of fate, he finds himself pitted against a powerful politician and his vile family. Jai who is an ex army officer, will not shy away from a battle, however bloody it may get and firmly believes that you do not have to wear an uniform to serve your country. As the politician unleashes his violent goons on brave heart Jai, Geeta, Jai’s sister, realises the horrific consequences this can have on her brother and the rest of their family. She persuades a reluctant Jai to make peace with the politician. But when this leads to humiliation being heaped on him, Jai loses his cool and declares all out war. It is an unequal war – on side stand the politician with his numerous henchmen and on one side is Jai – alone. But unknown to him, a silent revolution is taking place. The voiceless public, he has helped in the past, is gathering force. It finally has a voice and this voice cannot...will not be silenced because Jai Ho is the resounding sound of victory. Jai Ho is the warrior cry of someone determined to win at all cost.

Artists Performance:

Apart from an in-form Salman Khan, the film also features a wonderful Tabu and a diligent Danny. Talking about the cast, the film has a barrage of special appearances. So much that it looks like Salman's gift to most of his friends from the industry - many of who are out of work. So there is Ashmit Patel, Yash Tonk, Vatsal Sheth, Genelia D'Souza, Bruna Abdullah, Aditya Pancholi, Nauheed Cyrusi, Mahesh Manjrekar, Mukul Dev apart from Suniel Shetty and ex-Bigg Boss inmate Sana Khan. And of course the scene-stealing delightful child-actor Naman Jain, who has earlier wowed us in Bombay Talkies and Chillar Party! Naman probably is the best of the lot as he brings in the best moments in the film with effortless comic timing. The film also sees the debut of Daisy Shah as the lead girl. She does not have much do.

Technical and Other Departments:

Sohail Khan attempts to create a positive jingoism of warmth and goodness. But the director fails to fabricate the genuineness as it doesn’t emerge out the required intensity due to the over enthusiasm of its screenplay The preaching is overdone and had it not been for Salman Khan the film would have been entirely unwatchable.

The romance scenes were half baked and did not have the expected fluff. Often the film’s screenplay inflicts severe wounds on the intelligence of the audiences but when there is such unbelievable thunderous action to get mesmerized by, why waste time picking out logic lapses in the film. If you were looking for logic, Dedh Ishqiya would have been a super-hit. Especially, in the climax scene, when an army tanker guns down people who come to kill Jai, if you manage to find logic then hats off to you! The brisk editing works fine as the film remains fast paced and doesn’t fall slack too much. The music is unbearable.

Movie Analysis:

Salman’s movies are never about the script but about how well the scheme of things help in using the actor’s star power. But to its credit Jai Ho has an efficient story to itself. What falls limp is the frail execution of the film.

The film’s story comes without excessive baggage of intelligence and is kept simplistic in its vein. An army officer who underwent court martial after a failed terrorist operation becomes a car mechanic. The chain of affairs are webbed with such plainness that it all seems too easy for one. The concept of never wasting yourself saying thank yous rather help three other people, is both unreal and wishful. But atleast the film attempts to infuse some potent messages amidst the thrashing and action.
No one watches Salman’s films for exhilarating acting or story. We understand the limitations of the genre he has established but definitely the scripts he chooses have an intrinsic element of relatability.

On the grey side, the film repeats the moral value lessons so frequently that they turn tedious. The incredible hulk of a protagonist is intense and convincing only in the action bits, but the romance factor should have been done away with for good. The growling lead man is hilarious and will crack you up more than getting your respect. It’s low on IQ, extremely lame and I can point out ten other well-based problems but the goose bumps I got every time Salman stood up for the wrongs against people ,negates every glitch in the film.

Final View:

Destiny has it way. The song Jai Ho from Slumdog Millionaire was originally composed for Salman Khan's Yuvvraaj. And now Jai Ho turns a name for his film. Do not expect an Oscar for this film though!



















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HASEE TOH PHASEE MOVIE REVIEW

Film: Hasee Toh Phasee (Hindi, 2014)
Cast: Sidharth Malhotra, Parineeti Chopra, Adah Sharma
Music by -
Songs: Vishal-Shekhar
Background Score: Amar Mangrulkar
Director : Vinil Mathew
Producers: Karan Johar, Vikas Bahl,Vikramaditya Motwane, Anurag Kashyap
Screenplay : Harshavardhan Kulkarni
Story : Harshavardhan Kulkarni
Cinematography : Sanu John Varughese
Studio : Phantom Films, Light N Light
Distributed by : Dharma Productions
Release dates : 7 February 2014
Running time : 141 mins
Budget : INR25 crore (US$4.0 million)
Watched Theater: Bhaskar Delux A/c, Guntur
Rating : 3.5 / 5

Sidharth Malhotra New Hinid Film Hasee Toh Phasee Movie Review:

There is something about ad-film makers joining the film industry. They have invariably managed to get some freshness onto the big screen with their own quirkiness. Vinil Mathew adds to the list. This director who has made scores of well remembered ad-commercial [Cadbury, Imperial Blue, Surf Excel many other] makes a rather emphatic debut as a film director with Hasee Toh Phasee.

Story:

It's not the novelty of the story that pleases. The story in itself draws inspiration from many earlier films, where one character stays unsure throughout and makes a sure decision at the climax - in most cases it's about love. Hasee Toh Phasee too is about Nikhil (Siddharth Malhotra) who is in love with a Karishma (Adah Sharma) and how things change when he meets Karishma's sister Meeta (Parineeti Chopra). Sounds jaded? Think twice! Like the wise say, originality is about how you put inspiration to use.

Artists Performances:

Parineeti is at her best. She makes it virtually impossible for the audience's eye to waver from here when she is on screen. She plays two avatars - a druggie genius and a lovable girl next door - with class. Siddharth Malhotra surprises in his second film. He finds his own and manages to establish himself as someone who cannot be ruled out. Adah Sharma is comfortable in her relatively smaller role. The delights are the seasoned Sharat Saxena and Manoj Joshi. They had moments which take your heart away.

Techincal and Other Departments:

Having said that Hasee To Phasee comes with its own flaws. Of course it is a predictable fare. More than that, the film seems longish at times. But then some impressive dialogue gets you back. Hasee Toh Phasee is a directorial winner. While it entertains, it also springs forth another director worth looking out to. It is a film which gets you to root for the protagonist. And you know you have winner when a film makes you feel such.
Screenplay is good. Music is good.

Movie Analysis:

Hasee Toh Phasee scores on its lead characters. Nikhil, who is willing to adapt to demands of a relationship despite too many hassles as he believes there is no guarantee that it could be better than what he has; and a rational Meeta, who through her own problems still manage to see life in plain shades. It is about the development in these characters, influenced by each other.

The detailing to each character strikes. They have professions, they have family and the story sails through both. So you see the scientist Meeta blabbering jargons and talking in Mandarin with her Chinese colleague, Nikhil trying to get money for his event company, the families into their respective businesses... and behaving accordingly! Needless to say there are umpteen moments which will make you smile, wishfully. And that's apart from all those moments which will at least let a chuckle out of you, if not a laughter.

Final View:

There is something about seven days and Bollywood. A habit may take 21 days to formulate, but in Bollywood, a lot more could happen in seven days.

























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