SHEENA SHAHABADI BIOGRAPHY

Sheena Shahabadi Biography:
Sheena Shahabadi is born on born 10 April 1986, india. is an Indian film actress. Her first film role was starring in the film Teree Sang (2009).

Early Life:
She was born and bought from Mumbai, Maharastra,India. She Completed her schooling and gradution in Mumabi. She is more passionate about film from her childhood. So after completion of Her graduation she joined modeling. Sheena Shahabadi was born in India in 1986; she is the daughter of the actress, Sadhana Singh. Her mother was noted for the movie Nadiya Ke Paar (1982). She became interested in acting because of her mother's work.

Sheena Shahabadi Film Career:
Director Satish Kaushik opted Sheena for his kidult film Teree Sang (2009). It is a love story based on Teenage Pregnancy, where she was reckoned with actor Ruslaan Mumtaz. Her side by side release is Fast Forward (2009), her co stars in this film are Rehan Khan, Sabina Sheema and Siddhant Karnick.

Sheena Shahabadi is a Hindi film actress who starred in the film Teree Sang. She is the daughter of actress Sadhana Singh, who acted in the movie Nadiya Ke Paar. She was married to Vaibhav Mohite. They are now divorced. Sheena, daughter of actor Sadhana Singh of Nadiya Ke Paar fame, insists that she wasn't uncomfortable shooting intimate scenes with Ruslaan Mumtaaz in front of her mother for Satish Kaushik's film on teen pregnancy ? Teree Sang. When Anjan Dutt's Madly Bangalee dwelt on the issue of teenage pregnancy, the director showed the teenager opting for abortion. But in Satish Kaushik's film on teen pregnancy ? Teree Sang ? his protagonists boldly face the consequences of their 'mistake'.

After Teree sang She got offers from Telugu kannada and bollywood film industries. After Teree Sang She did Fast Forward. And in 2010 She did bindaas with Manchu Manoj in Telugu. In 2011 She did Kannada film 'Rajadhani' Then in 2012 Done one film in telugu like Nandeeswarudu. In 2013 she done films like  Action 3D , I Me Aur Main, Soni De Nakhre and Raqt One telugu film was in filming named NuvveNa Bangaram.

Sheena Shahabadi Gossips:
Sheena Shahabadi is a cool and Bubbly upcoming actress in india. Somes Rumors are all ready Spread in bollywood Film Industry that she runned an hot affair with bollywood actor after his Divorce. But she dines those comments and she says that she dont have any affairs. She says that if the Scprit demands for Exposing then she would think about to do this!!! She says that her sexy appeal was her cool smile.

Sheena Shahabadi Personal Life:
Shahabadi was married to Vaibhav Mohite. She said "I was in a bad marriage and separated with him a long time ago"

Daisy Shah Filmography:

2009    
Teree Sang - Maahi - Hindi    
Fast Forward - Hindi    

2010    
Bindaas - Girija - Telugu    

2011    
Rajadhani - Kannada    

2012    
Nandeeswarudu - Telugu    

2013    
I, Me, aur Main - Amala - Hindi    
Action 3D - Shruthi - Telugu    
Soni De Nakhre - Vedika - Hindi    
Raqt - Suhani - Hindi    
Nuvve Na Bangaram - Telugu Filming














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DAISY SHAH BIOGRAPHY

Daisy Shah Biography:
Daisy Shah is an Indian film actress and dancer. She is born in 1990 in Karnataka, India. She is a former assistant to Bollywood choreographer Ganesh Acharya. She made her screen début in the Kannada film Bhadra.

Early Life:
She was born and bought from Bangaluru, Karnataka, India. She Completed her schooling and gradution in Bangaluru, Karnataka, India. She is more passionate about film from her childhood. So after completion of Her graduation she joined modeling. she learned choreographer also.

Daisy Shah Film Career:
Daisy was working as an assistant to choreographer Ganesh Acharya in films like Zameen (2003) and Khakee (2004) and later started modelling, doing photo shoots and print ads. Kannada choreographer-director A Harsha approached her for the film Chingari, but the film got delayed and she had to step out due to date issues. She played Ammu in the Kannada version of Bodyguard. She then shot two item songs for Sudeep starring Bachchan in Kannada and for Bloody Isshq in Hindi cinema. She has been cast as the female lead in Salman Khan's Jai ho. Daisy has also entered Kollywood with a Tamil film, Mouna Mana Neram directed by Mohan Raj.

Daisy Shah Gossips:
Daisy Shah is a cool and Bubbly upcoming actress in india. Somes Rumors are all ready Spread in bollywood Film Industry that she runned an hot affair with bollywood actor. But she dines those comments and she says that she dont have any affairs. She says that if the Scprit demands for Exposing then she would think about to do this!!! She says that her sexy appeal was her cool smile.


Daisy Shah Filmography:

2010    
Vandae Maatharam - Tamil/Malayalam     Special appearance

2011    
Bhadra - Kavya - Kannada    
Bodyguard - Ammu - Kannada    

2013    
Bloody Isshq - Hindi - Special appearance
Bachchan - Kannada - Special appearance
Gajendra - Kannada    
Soda - Hindi Filming
Mounamana Neram - Tamil Filming
Aakramana - Kannada Filming

2014    
Jai Ho (film) - Hindi Filming
























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ZEENAT AMAN BIOGRAPHY

Zeenat Aman Biography:
Zeenat Aman was born on 19 November 1951. she is an Indian actress who has appeared in Hindi films, notably in the 1970s and 1980s. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970. Upon making her debut in Bollywood, Aman was credited with making a lasting impact on the image of its leading actresses by bringing the western heroine look to Hindi cinema, and throughout her career has been considered a sex symbol.

Zeenat Aman Career:

Early Career
Zeenat Aman was born in Mumbai (erstwhile Bombay) on 19 Nov 1951 to a Muslim father, Amanullah Khan and a Hindu mother. Her father was a script writer who was one of the writers for such movies as Mughal-e-Azam and Pakeezah. He died when Zeenat was 13. Her mother got re-married to a German, Mr. Heinz (was constantly referred to as Mrs. Heinz in all subsequent articles film magazines would carry on Zeenat). Zeenat's mother obtained German citizenship, and took her to Germany, where Zeenat was very unhappy, returning to India as soon as she turned 18.
Aman graduated from St. Xavier's College, Mumbai and went to University of Southern California in Los Angeles, California for further studies on student aid. Upon returning to India, she first took a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea and Television X Debut in 1966 exclusively. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.

Film Career
After having studied in Los Angeles, winning the Miss Asia Pageant and a successful modeling career, Aman's film career began with a small role in O. P. Ralhan's Hulchul in 1971. A second role in Hungama (1971), starring singer Kishore Kumar, both films were not successful and she was ready to pack her bags to leave India and go back to Germany with her mother.
Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of his sister in Hare Rama Hare Krishna (1972). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz), and she opted out. Aman was chosen as a last-minute replacement.
In Hare Rama Hare Krishna, Aman, aided by R. D. Burman's song "Dum Maro Dum" (Take Another Toke), won over the heart's of audience as Janice. She earned a Filmfare Best Supporting Actress Award and BFJA Award for Best Actress.Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.
Her hip looks in Yaadon Ki Baaraat (1973) as the girl carrying a guitar, singing "churaliya hai tumne jo dil ko" (in Asha Bhonsle's voice) has won her more popularity and the hearts of millions of fans.
She appeared on every Hindi film magazine's cover during 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover, a testimony to her popularity at the time. However, she went on as the favourite cover girl of the popular magazine 'Stardust'.

In 1970s
Zeenat Aman, in her career, found success with other banners such as Dev Anand, B.R. Chopra, Raj Kapoor, Manmohan Desai, Feroz Khan, Nasir Hussain, Manoj Kumar, Prakash Mehra, Raj Khosla and Shakti Samanta.In 1978, she starred in Raj Kapoor's massively publicised Satyam Shivam Sundaram (1978), however, the film was heavely criticized. The subject ironically dealt with the notion of the soul being more attractive than the body, but Kapoor chose to showcase Aman's sex-appeal. The actress was highly criticized for her exposure but somehow, later on the film had a great deal to do with Zeenat's fame and the movie itself was distinguished as a work of art. She also earned a Filmfare nomination as Best Actress for this film.

Zeenat Aman's entry into Hollywood also backfired when Krishna Shah's Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison and Sylvia Miles, proved to be a failure in the USA and in India. Zeenat possessed a convent schoolgirl accent and a penchant for revealing dresses. She matched Sophia Loren & Gina Lollobrigida in the battle of oomph at Shalimar's launch. 1978 could have been a disaster year for her, because of the diminishing box office returns of Satyam Shivam Sundaram and Shalimar, but it was Don that came to the rescue and set her career soaring again. Ironically, her reasons for accepting the role in Don were altruistic, and she didn't even take any remuneration for it, because she wanted to help the producer, Nariman Irani, who died midway filming. Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success, and her fans reconnected with her again. Westernised heroines like Parveen Babi and Tina Munim now followed in her footsteps, by the late 1970s. Aman continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.

In1980s
By the beginning of the 1980s multi-starrers films became a trend, and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented, despite success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra's Insaaf Ka Tarazu (1980) for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani, Ali Baba aur 40 Chor, Dostana (1980) and Lawaaris (1981).
Zeenat's popularity in Russia was so great after Alibaba Aur 40 Chor that she felt pressured into doing a supporting role in Sohni Mahiwal. The film was moderately successful but no credit went to Zeenat. Her last role as the female lead was in the movie Gawahi, a court room drama, in 1989.
 
In 1990s and 2000s
Zeenat came back to the silver screen after a decade doing a cameo role in the film Bhopal Express, and she went on to do small roles in Boom (2003), Jaana... Let's Fall in Love (2006), Chaurahen (2007), Ugly Aur Pagli (2008), Geeta in Paradise (2009) and Dunno Y... Na Jaane Kyon (2010).
In 2004, she appeared as Mrs. Robinson in the play The Graduate staged at St Andrew's auditorium in Mumbai.Aman had a TV show called In Conversation with Zeenat made by B4U TV, and also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.
Aman received a Lifetime Achievement Award during the Zee Cine Awards function in 2008, as a recognition of her contribution to Hindi Cinema.
She also received An Outstanding Contribution to Indian Cinema award at IIFA awards 2010 held at Colombo, Sri Lanka. She dedicated this award to her mother.

Zeenat Aman Image:
Aman's sultry persona was a contrast to many of the more conservative stars of the era. At a time when heroines were obedient wives and lovers on screen, Aman was drawn to more unconventional roles—she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers having an abortion in order to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother's one-time lover (Prem Shastra), and a woman married to a caustic cripple but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhaila Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema. Encyclopædia Britannica's "Encyclopedia of Hindi Cinema" wrote, "Zeenat Aman had a definite impact on the characterization of the heroine in Hindi films. With films such as
Hare Rama Hare Krishna and Yaadon Ki Baraat, she fashioned the image of the youthful and westernized woman in Hindi cinema."Aman's persona was such that newcomers were, and still are compared to her. Parveen Babi was called "The poor man's Zeenat Aman", Sarika was christened "Zeenat Aman 2" and Padmini Kolhapure was named "Baby Zeenat".

Zeenat Aman Personal life:
In 1985, she got married to Mazhar Khan and had two sons Azaan and Zahaan. Her husband Mazhar used to beat her up often which ultimately led to their filing for divorce. Mazhar Khan died in September 1998 (renal failure).
Today, Aman lives with her two sons and makes many social appearances and film awards functions, she is rarely seen on screen. Azaan is more keen in going behind the camera while Zahaan is interested in acting.



Zeenat Aman Awards and recognitions:

1972
Filmfare Best Supporting Actress Award for Hare Rama Hare Krishna
BFJA Awards, Best Actress for Hare Rama Hare Krishna
 
1978
Filmfare Nomination as Best Actress for Satyam Shivam Sundaram

1980
Filmfare Nomination as Best Actress for Insaaf Ka Tarazu

2003
Bollywood Awards 'Award for Lifetime Achievement'- Lifetime of Glamour.

2006
"Outstanding Contribution to the Motion Picture Industry of India Awards" at the eighth annual Bollywood Movie Awards.

2008
Zee Cine Award for Lifetime Achievement

2010
"Outstanding Contribution to Indian cinema" at the 11th IIFA awards


















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WAHEEDA REHMAN BIOGRAPHY

Waheeda Rehman Biography:
Waheeda Rehman is an Indian film actress who appears in Bollywood movies and is known for many successful and critically acclaimed movies from the 1950s, 60s and early 70s most notably C.I.D. (1956) and 5 Guru Dutt classics - Pyaasa (1957), 12 O'Clock (1958), Kaagaz Ke Phool (1959), Sahib Bibi Aur Ghulam, Chaudhvin Ka Chand (1961). Her other notable works include Solva Saal (1958), Baat Ek Raat Ki (1962), Kohra (1964), Guide (1965), Teesri Kasam, Mujhe Jeene Do (1966), Neel Kamal and Khamoshi (1969).
 
Early Life :
One of the most prominent actresses of the golden era, Waheeda Rehman was born into a traditional Tamil,speaking Muslim family in Melapalayam, Thirunelveli district, Tamil Nadu, British India. She and her sister learnt Bharatnatyam at Mumbai's Sri Rajarajeswari Bharata Natya Kala Mandir, where Guru T. K. Mahalingam Pillai, doyen among nattuvanars taught and performed on stage together. Her father, who was a district commissioner, died while she was in her teens. It is a common misconception that Rehman was born on 3 february 1936 in Hyderabad.“It’s a long story,” she says, “When I was in Chennai, I did two Tamil and four Telugu movies. In the first one, Kaalam Maari Pochu along with Gemini Ganesan a bilingual film which was made in Tamil and Telugu as Rojulu Maraayi, I did only a folk dance number in both Tamil and Telugu versions. However, it went on to become a hit! I was in Hyderabad celebrating its success and Guru Dutt happened to be there. He was on a lookout for new faces and heard that I could speak in Urdu. It is because he spotted me in Hyderabad that people assume I was born there.”

Her dream was to become a doctor but, due to circumstances and illness, she abandoned this goal. Instead helped by her supportive parents, she hit the silver screen with Telugu films Jayasimha (1955), followed by Rojulu Marayi (1955) and Tamil film Kaalam Maari Pochu (1956). It is in Vijaya-Suresh's Ram aur Shyam (a remake of Telugu movie Ramudu Bheemudu) in 1967 that Waheeda acted again under the direction of the topnotch Telugu director Tapi Chanakya who incidentally directed her movies Rojulu Maaraayi in Telugu (1955) and Kaalam Maaripochu in Tamil (1956).

Waheeda Rehman Film Career:
Waheeda Rehman, started her career in films in 1954 and her first successful films were the Telugu films Jayasimha (1955), Rojulu Marayi (1955) and Tamil film Kaalam Maari Pochu (1956).

In the success party of Rojulu Maaraayi, Guru Dutt noticed her and decided to groom her and have her act in Hindi films. Waheeda considered Guru Dutt as her mentor. Dutt brought her to Bombay (now Mumbai) and cast as a vamp in his production C.I.D. (1956), directed by Raj Khosla. A few years after joining the Hindi film industry, she lost her mother. After the success of C.I.D., Dutt gave her a leading role in Pyaasa (1957). Their next venture together, Kaagaz Ke Phool (1959), depicted the story of a successful director's decline after he falls for his leading lady. Dutt's existing marriage and her film successes with other directors caused them to drift apart personally and professionally, although they continued to work together into the 1960s (Chaudhvin Ka Chand). She completed Sahib Bibi Aur Ghulam (1962) under some strain. They broke away from each other after its indifferent reception at the Berlin Film Festival in 1963. Soon afterward, Guru Dutt died on 10 October 1964 in Mumbai reportedly from an overdose of sleeping pills and alcohol.

Waheeda Rehman established a great working relationship with Dev Anand, and together as a pair had number of successful films to their credit. The box office hits of the pair include C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960), Baat Ek Raat Ki (1962) and Guide (1965); box office duds were Roop Ki Rani Choron Ka Raja (1961) and Prem Pujari (1970). She reached her peak with Guide (1965) and was much in demand. Rehman was cast as "Gulabi" in Satyajit Ray's Bengali film Abhijan in 1962. She worked in comedy film Girl Friend in 1960 with Kishore Kumar. She was offered lead actress's role in films even opposite actors junior to her by experience like Dharmendra, but they flopped. But she continued to taste success in the late sixties when she was paired with well established stars. She delivered hits opposite Dilip Kumarin three successive years; " Dil diyaa Dard liyaa" in 1966, Ram Aur Shyam in 1967 and Aadmi in 1968 and some box office duds but critically acclaimed films with Rajendra Kumar - Palki, Dharti and Shatranj ; two films opposite Raj Kapur - " Ek dil sau Afsane" and the acclaimed "Teesri Kasam" which was the debut film of Basu Bhattacharyya; a few films opposite Biswajeet like, "Bees saal baad" and "Kohra"; this helped her continue to get lead roles in the early seventies. Her career's biggest hit Khamoshi came in 1970, opposite Rajesh Khanna.

Her career continued throughout the 1960s, 1970s, and 1980s. She won the Filmfare Best Actress Award for her roles in Guide (1965), where she hit the peak of her career, and Neel Kamal (1968), but despite excellent offbeat roles in subsequent films, including a National Award winning performance in Reshma Aur Shera (1971), some of the films failed at the box office. Seeing her films being successful, Waheeda decided to experiment with roles at this stage of career. She accepted Reshma Aur Shera, opposite her old co-star Sunil Dutt, with whom she had previously in the sixties had hits like Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan. Her performance was appreciated by critics, but the film failed at the box office. But Waheeda continued to experiment with roles and accepted the offer to play a mother to Jaya Bhaduri in Phagun(1973). This she regards the mistake of her career as after this film flopped suddenly people started offering her motherly roles to heroes.

From the mid seventies, Waheeda's career as lead heroine ended and her career as character actor began. At around this time, Kamaljit, who starred opposite her in Shagun (1964), proposed and they got married in 1974. After her appearance in Lamhe (1991), she retired from the film industry for 12 years.

In her new innings from seventies her successful films, where she played pivotal roles include, Kabhi Kabhie (1976),Trishul (1978), Jwalamukhi(1980), Namkeen and Namak Halaal (1982),Mashaal (1984), Chandni(1989), Rang De Basanti(2006). She played the central character in a Mahesh Bhatt directed tele-film "Swayam" that starred Akash Khurana and Anupam Kher. She also appeared in a tele-series being directed by Gulzar. In recent years she made a comeback playing elderly mother and grandmother roles in Om Jai Jagadish (2002), Water (2005) and Rang De Basanti (2006), 15, Park Avenue and Delhi 6 (2009) which were all critically acclaimed.

In October 2004, a Waheeda Rehman film retrospective was held at the Seattle Art Museum and the University of Washington where Waheeda participated in spirited panel and audience discussions on her most memorable films—Pyaasa, Teesri Kasam and Guide—although her most successful film is still considered to be Khamoshi, with costar Rajesh Khanna.

Waheeda Rehman Marriage Life:
After her marriage with Shashi Rekhi (screen name Kamaljeet) on 27 April 1974, she shifted to a farmhouse in Bangalore. She bore two children named Sohail and Kashvi, who are writers. On 21 November 2000, her husband died following a prolonged illness. She moved back to her ocean view bungalow in Bandra, Mumbai where she currently lives.

Waheeda Rehman Awards:
National Film Award for Best Actress for Reshma Aur Shera in 1971.
Filmfare Best Actress Award for Guide in 1966
Filmfare Best Actress Award for Neel Kamal in 1968
Bengal Film Journalists' Association Awards, Best Actress (Hindi) for Teesri Kasam in 1967.
Filmfare Lifetime Achievement Award in 1994
NTR National Award for 2006.
Padma Shri in 1972.
Padma Bhushan in 2011

Waheeda Rehman Nominations:
Filmfare Nomination as Best Supporting Actress — Sahib Bibi Aur Ghulam (1962)
Filmfare Nomination as Best Actress — Ram Aur Shyam (1967)
Filmfare Nomination as Best Actress — Khamoshi (1970)
Filmfare Nomination as Best Supporting Actress — Kabhi Kabhie (1976)
Filmfare Nomination as Best Supporting Actress — Namkeen (1982)
Filmfare Nomination as Best Supporting Actress — Lamhe (1991)

















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MADHUBALA (MUMTAZ JAHAN BEGUM DEHLAVI) BIOGRAPHY

Madhubala Biography:
Mumtaz Jahan Dehlavi (14 February 1933 – 23 February 1969) better known by her screen name Madhubala was an Indian actress who appeared in Bollywood films. Her enduring screen fame derives from her appearances in film classics such as Mahal (1949), Mr. & Mrs. '55 (1955), Chalti Ka Naam Gaadi (1958) and Mughal-e-Azam (1960). She was prolific from 1949 through to 1960 when illness abbreviated her career. With her contemporaries Nargis and Meena Kumari, she is widely regarded as one of the most influential and talented Hindi movie actresses.

In her short life, Madhubala appeared in over 70 films. In all three biographies and numerous articles published on her, she has been compared with Marilyn Monroe and has a similarly iconic position in Indian film history. Perhaps because she died before being relegated to supporting or character roles, to this day Madhubala remains one of the most enduring and celebrated legends of Indian cinema. This is in spite of a proportinally low percentage of successful films in her complete career span (15 box office hits out of some 70 releases). Her continuing appeal to film fans was underlined in a 1990 poll conducted by Movie magazine. Madhubala was voted the most popular vintage Hindi actress of all time, garnering 58% of the votes, and out ranking contemporary legendary actresses Meena Kumari, Nargis, and Nutan. More recently in Rediff.com's International Women's Day 2007 special, Madhubala was ranked second in their top ten list of "Bollywood's best actresses ever".[16]

In 2004 a digitally colorized version of Mughal-e-Azam was released and, 35 years after her death, the film and Madhubala became a success with cinema audiences all over again.

In the past decade, several biographies and magazine articles have been issued on Madhubala, revealing previously unknown details of her private life and career. Consequently in 2007, a Hindi film Khoya Khoya Chand was produced starring Shiney Ahuja and Soha Ali Khan - the plot included some events loosely based on the life of Madhubala and other vintage film personalities.

In 2008 a commemorative postage stamp featuring Madhubala was issued.The stamp was produced by India Post in a limited edition presentation pack which featured images of the actress. It was launched by veteran actors Nimmi and Manoj Kumar in a glittering ceremony attended by colleagues, friends and surviving members of Madhubala's family. The only other Indian film actress to be honoured in this manner is Nargis Dutt.

Personal Life :
Madhubala was born as Mumtaz Jahan Begum Dehlavi in New Delhi, India on 14 February 1933 to a Muslim couple of Pashtun (Pathan) descent. The family were based in Delhi. She was the fifth child among eleven children. According to her sister Madhur Bhushan, she was reportedly born a blue baby which would later have implications on her health.

After Madhubala's father, Ataullah Khan, lost his job at the Imperial Tobacco Company in Delhi,he relocated his family to Mumbai where they faced many hardships including the deaths of her three sisters and two brothers at the ages five and six. With his six remaining daughters to provide for, Ataullah Khan and young Mumtaz began to pay frequent visits to the Bombay Studios looking for work. This was how Mumtaz entered the movie industry at the age of nine in order to provide financial help for her family.
Madhubala was found to have a heart problem after she coughed up blood in 1950. She was discovered to have been born with a ventricular septal defect, commonly known as a "hole in the heart". At the time, the facility of a heart surgery was not widely available in India.

Madhubala hid her illness from the film industry for many years, but this one incident was widely reported by the media in the year 1954: While she was filming in Madras for S. S. Vasan's Bahut Din Huwe, she vomited blood on the set. Vasan and his wife took care of her until she was well again. She continued to work and established herself as an A-grade star.

Madhubala's family was extremely protective of her because of her health problem. While filming at the studios, she would eat only home-prepared food and drink water only from a specific well in order to minimize risks of infection. Eventually her condition would take its toll and abbreviate her career and life. However, for most of the 1950s, Madhubala performed successfully despite her illness.

Marragie and controversies:
Madhubala is said to have had several relationships according to a biography on the actress by journalist Mohan Deep. Her most public relationship was with actor Dilip Kumar.

Dilip Kumar and Madhubala first met on the sets of Jwar Bhata (1944), and worked together again in the film Har Singaar (1949) which was shelved. Their relationship began two years later during the filming of, Tarana (1951). They also became a popular romantic screen team appearing in a total of four films together. Actor Shammi Kapoor, in a recorded interview, narrated how Dilip Kumar used to meet Madhubala by arriving late on the sets of the film Shammi and Madhubala were doing together. He would enter Kapoor's room, knock on the door between his and Madhubala's room and spend nights with her.

Madhubala was known for never making public appearances, (with the exception of the premiere for the film Bahut Din Huwe in 1954) and she rarely gave interviews. Tabloids often speculated over her personal life and romantic liaisons and Dilip Kumar was repeatedly mentioned. These rumours were confirmed with a bold and rare public appearance during their courtship in 1955. Madhubala was escorted by Dilip Kumar hand in hand for the premier of his film Insaniyat (1955), a film with which she had no other association. Though this may have been another gesture of gratitude to the producer and director S. S. Vasan, who had cared for her earlier when she had taken ill during the filming of Bahut Din Huwe (1954), this appearance was significant for another reason. By attending the premiere officially escorted by Dilip Kumar, they publicly acknowledged their relationship.

Madhubala's romance with Kumar lasted for five years, between 1951 and 1956. Their association was ended following a controversial court case. B.R. Chopra, the director of the film Madhubala and Dilip Kumar were currently starring in, Naya Daur (1957), wanted the unit to travel to Bhopal for an extended outdoor shooting. Ataullah Khan objected and even claimed that the entire Bhopal schedule was a ruse to give Dilip Kumar the opportunity to romance his daughter. Finally, Chopra sued Madhubala for the cash advance she received from him for a film she now had no intention of completing. He also replaced her with South Indian actress Vyjayanthimala. Madhubala supported her father despite her commitment to Dilip Kumar. Kumar testified against Madhubala and Ataullah Khan in favor of the director B.R. Chopra in court. Madhubala and her father lost the case amid much negative publicity. Up until that point Madhubala had worked hard to gain a reputation as a reliable and professional performer with much good will in the industry. Her image was badly damaged after this episode. Madhubala and Dilip Kumar were effectively separated from that point on.
 
In an interview her sister Madhur Bhushan described the events as:


The reason Madhubala broke up with Dilip Kumar was B R Chopra's film Naya Daur, not my father. Madhubala had shot a part of the film when the makers decided to go for an outdoor shoot to Gwalior. The place was known for dacoits, so my father asked them to change the location. They disagreed because they wanted a hilly terrain. So my father asked her to quit the film. He was ready to pay the deficit. Chopra asked Dilip Kumar for help. Dilipsaab and Madhubala were engaged then. Dilipsaab tried to mediate but Madhubala refused to disobey her father. Chopra's production filed a case against her, which went on for a year. But this did not spoil their relationship. Dilipsaab told her to forget movies and get married to him. She said she would marry him, provided he apologised to her father. He refused, so Madhubala left him. That one 'sorry' could have changed her life. She loved Dilipsaab till the day she died.

She met her husband, actor and playback singer, Kishore Kumar during the filming of Chalti Ka Naam Gaadi (1958). At the time he was married to the Bengali singer and actress Ruma Guha Thakurta . After his divorce, because Kishore Kumar was Hindu and Madhubala Muslim, they had a civil wedding ceremony in 1960. His parents refused to attend. The couple also had a Hindu ceremony to please Kumar's parents, but Madhubala was never truly accepted as his wife. Within a month of her wedding she moved back to her bungalow in Bandra because of tension in the Kumar household. They remained married but under great strain for the remainder of Madhubala's life.

Madhubala's love-life was constantly speculated on in media. She is said to have been romantically involved with Director Kidar Sharma, Kamal Amrohi, Actor Premnath and Pakistani politician Zulfiqar Ali Bhutto at different points of her career. B. K. Karanjia, former Filmfare editor and a close friend of both Madhubala and her father Ataullah Khan, has denied this saying , "Yes, there were so many in love with her, she used to play one against the other. But it was out of innocence rather than shrewd calculation. Madhubala was a child at heart."

Last Days Of Death:
In 1960, Madhubala sought treatment in London as her condition deteriorated. Complicated heart surgery was in its infancy and offered her some hope of a cure. After an examination the doctors there refused to operate, convinced her chances of surviving the procedure were minimal.Their advice was that she should rest and avoid overexertion, and predicted that she could live for another year. Knowing her death was imminent, Madhubala returned to India, but defied the predictions by living for another 9 years.

In 1966, with a slight improvement in her health, Madhubala tried working again opposite Raj Kapoor in the film Chalak. Film media heralded her "comeback" with much fanfare and publicity. Stills from this time showed a still beautiful but pale and wan-looking Madhubala. However, within a few days of filming, her frail health caused her to collapse and the film remained incomplete and unreleased.

When acting was clearly no longer an option, Madhubala turned her attention to film making. In 1969 she was set to make her directorial debut with a film named Farz aur Ishq. However the film was never made, as during the pre production stages, Madhubala finally succumbed to her illness and died on 23 February 1969, shortly after her 36th birthday. She was buried at Santa Cruz cemetery with her diary by her family and husband Kishore Kumar. Madhubala's tomb at the Juhu/Santa Cruz Muslim cemetery was carved in pure marble and aayats from the Quran as well as verses dedicated to her. In a controversial move, her tomb was demolished in 2010 to make space for new graves

Madhubala Film Career:
Mumtaz’s first movie Basant (1942) was a box-office success. She played the character of the daughter of the popular actress Mumtaz Shanti. She further went on to act in several movies as a child artist. Actress Devika Rani was impressed by her performances and potential and advised her to assume the name Madhubala, which meant "a woman of honey". Madhubala soon garnered reputation as a reliable professional performer. By the time she entered adolescence, she was being groomed for lead roles.

Her first break came when producer Kidar Sharma cast her opposite Raj Kapoor in Neel Kamal (1947). She was fourteen when she was given the lead role in the movie. The film was not a commercial success, but her performance was well received. This was also the last film in which she was credited as Mumtaz before assuming her screen name Madhubala.

During the next two years, she blossomed into a captivating beauty. However it was not until she was cast in the coveted female lead role in Bombay Talkies prestigious and anticipated production Mahal in (1949), (a role intended for super star Suraiya) that Madhubala attained immense popularity. Madhubala alongside many established actresses screen tested for the role before she was finally groomed and selected by the director Kamal Amrohi. Upon the film's release, audiences and critics alike enthused over the new star's enigmatic beauty and screen presence. Though she was only 16 at the time, her subtle and skillful performance was widely acknowledged to have upstaged her seasoned co-star Ashok Kumar. The film was the third biggest hit at the box office in 1949 and the song Aayega Aanewala heralded the arrival of two new superstars: Madhubala and playback singer Lata Mangeshkar.

She consolidated the emphatic success of Mahal with subsequent box office hits like Dulari (1949), Beqasoor (1950), Tarana (1951) and Badal (1951). These successful films placed her among the most bankable and prolific actresses of the early (1950's) alongside established contemporaries Kamini Kaushal, Suraiya and Nargis.

It was the film Mughal-e-Azam that marked what many consider to be her greatest and definitive characterization as the doomed courtesan Anarkali. Director K. Asif, unaware of the extent of Madhubala's illness, required long and grueling shooting schedules that made heavy physical demands on her, whether it was posing as a veiled statue in suffocating make-up for hours under the sweltering studio lights or being shackled with heavy chains. From 1951 through to 1959 Madhubala invested her best efforts into Mughal-e-Azam. Post 1956 and her separation from Dilip Kumar, the film's remaining intimate romantic scenes were filmed under much tension and strain between Madhubala and her now estranged co-star. This emotionally and physically taxing experience is widely perceived as a major factor in her subsequent decline in health and premature death.

On 5 August 1960, Mughal-e-Azam released and became the biggest grossing film at that time, a record that went unbroken for 15 years until the release of the film Sholay in 1975. It still ranks second in the list of all time box-office hits of Indian cinema (inflation adjusted). Despite performing alongside the most respected acting talent of the industry, Prithviraj Kapoor, Durga Khote, and Dilip Kumar, critics recognised and appreciated Madhubala's intelligent and multi layered performance. She received some recognition as a serious actress when she was nominated for a Filmfare Award. However she did not win, losing out to Bina Rai for her performance in the film Ghunghat (1960). In Khatija Akbar's biography on Madhubala (see reference section), Dilip Kumar paid tribute to her talent: "Had she lived, and had she selected her films with more care, she would have been far superior to her contemporaries. Apart from being an excellent artiste and very versatile, she had a cheerful nature. God had gifted her with so many things..."

In 1960, Madhubala hit the peak of her career and popularity with the release of back-to-back blockbusters Mughal-e-Azam and Barsaat Ki Raat. She was offered strong, author-backed roles, but her deteriorating health did not permit her to enjoy this period and develop as an actress. At this point Madhubala became so ill that she could not accept any new films or even complete her existing assignments. In the biography by khatija Akbar, her frequent co-star Dev Anand recalled: "She was very robust, full of life and energy. One could never conceive that she was ill. She enjoyed her work, she was always laughing. Then out of the Blue, one day she had disappeared...".

She did have intermittent releases in the early 1960s. Some of these, like Jhumroo (1961), Half Ticket (1962) and Sharabi (1964), even performed above average at the box-office. However, most of her other films issued in this period were marred by her absence in later portions when her illness prevented her from completing them. They suffer from compromised editing and in some cases the use of "doubles" in an attempt to patch in scenes that Madhubala was unable to shoot. Her last released film Jwala, although filmed in the late 1950s, was not issued until 1971, two years after her death. Incidentally, apart from some Technicolor sequences in Mughal-e-Azam, Jwala is the only time Madhubala appeared in a colour film.

Madhubala had many successful films following Mahal. With pressure to secure herself and her family financially, she acted in as many as twenty-four films in the first four years of her adult career. Consequently, critics of the time commented that Madhubala's beauty was greater than her acting ability. This was in part due to careless choices in film roles. As sole support of her family, she accepted work in any film, causing her credibility as a dramatic actress to be seriously compromised. Something she later expressed regret over. "She was ecstatically, exasperatingly beautiful", exclaimed contemporary actress Nadira. "She created a kind of reverence, she had such an aura about her."

She did have aspirations to appear in more prestigious films with challenging roles. Bimal Roy's Biraj Bahu (1954) being a case in point. Madhubala having read the novel, was desperate to secure the lead in the film adaptation. Assuming she would command her market price (one of the highest), Bimal Roy passed her over in favour of a then, struggling Kamini Kaushal. When Madhubala learned that this was a factor in her losing the part, she lamented the fact that she would have performed in the film for a fee of one rupee. Such was her desire to improve her image as a serious actress.

As a star, Madhubala did ascend to the top of the industry. Her co-stars at the time were the most popular of the period: Ashok Kumar, Raj Kapoor, Rehman, Pradeep Kumar, Shammi Kapoor, Dilip Kumar, Sunil Dutt and Dev Anand. Madhubala also appeared alongside many notable leading ladies of the time including Kamini Kaushal, Suraiya, Geeta Bali, Nalini Jaywant, Shyama and Nimmi. The directors she worked with were amongst the most prolific and respected: Mehboob Khan (Amar), Guru Dutt (Mr. & Mrs. '55), Kamal Amrohi (Mahal) and K. Asif (Mughal-e-Azam) . She also ventured into production and made the film Naata (1955) which she also acted in.

During the 1950s, Madhubala proved herself a versatile performer in starring roles, in almost every genre of film being made at the time. Her 1950 film Hanste Aansoo was the first ever Hindi film to get an "A" (Adults Only) rating from the Central Board of Film Certification.[10] She was the archetypal lady fair in the popular swashbuckler, Badal (1951) and was next seen as an uninhibited village belle in Tarana (1951). She was convincing as the traditional ideal of Indian womanhood in Sangdil (1952) and was well received in a comic performance as the spoilt heiress, Anita in Guru Dutt's classic satire Mr. & Mrs. '55 (1955). In 1956 she had success in historical costume dramas such as Shirin-Farhad and Raj-Hath. Equally successful in contemporary characterizations, she was memorable in a double role in the social film Kal Hamara Hai (1959). Madhubala played the cigarette smoking dancer Bella, and her more conventional saintly sister Madhu.

Suddenly in the mid-1950s her films, even major ones like Mehboob Khan's Amar (1954), fared so badly commercially that she was labelled "Box Office Poison". She turned her career around in 1958, with a string of hit films: Howrah Bridge opposite Ashok Kumar featured Madhubala in the unusual role of an Anglo-Indian Cabaret singer, embroiled in Calcutta's Chinatown underworld. She made a big impact with a daring (for the time) Westernized image, with her cascading locks, deep cut blouses, fitted Capri pants and tailored Chinese dresses. Madhubala's sensuous torch song from the film, Aaiye Meherebaan, dubbed by Asha Bhosle, was a popular hit with audiences, and is widely quoted and celebrated to this day. Howrah Bridge was followed by Phagun opposite Bharat Bhushan, Kala Pani opposite Dev Anand, the perennial hit Chalti Ka Naam Gaadi opposite her would-be-husband, Kishore Kumar and Barsaat Ki Raat (1960), opposite Bharat Bhushan again.

It is of note that of the 70 plus films Madhubala made in her career, only a relatively small number, 15, were successful at the box office from 1947 through to 1964. Despite this fact she remained in demand as an actress with producers and directors largely due to her star power and unprecedented popularity with the general movie going public. Frequent co-star Dilip Kumar recalled: "She was extremely popular, and I think, the only star for whom people thronged outside the gates. Very often when shooting was over, there'd be a vast crowd standing at the gates just to have a look at Madhu...It wasn't so for anyone else."

In 1960, she consolidated previous successes, and her super-star status when she went on to appear in the epic mega-budget historical, Mughal-e-Azam. This film is widely perceived to be the crowning glory of her career and perhaps the decade of filmmaking in India.




















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SABITRI CHATTERJEE BIOGRAPHY

Sabitri Chatterjee Biography:
Sabitri Chatterjee was born on 21 February 1937. she is an Indian Bengali actress whose career as an actor spans more than 50 years. She was born in Comilla, in British India (now in Bangladesh).

Personal Life :
Sabitri was born on 21 February 1937 in a small town of Kamalapur in Comilla district of modern Bangladesh and is youngest among ten sisters. Her father Sashadhar Chatterjee worked in Indian Railways. During the partition of Bengal, young Sabitri was sent to the safety of an older, married sister’s house in Kolkata located at Tollygunge – the hub of filmmaking in Kolkata.

Film Career:
She joined a theatre group Uttar Sarathi who were doing a play on the refugees from East Pakistan titled 'Natun Yahudi'. The play was being directed by Kanu Banerjee – the actor who would later performed as Harihar Roy, in Satyajit Ray’s Pather Panchali and Aparajito. Sabitri also acted the film version of the play which was released in 1953. Sabitri appeared as the female lead in Sudhir Mukherjee’s comedy film Pasher Bari (1952).

Sabitri Chatterjee’s next film assignment Subhada (1952) – a film based on a novel by Sarat Chandra Chattopadhyay and directed by Niren Lahiri along with Chhabi Biswas and Pahari Sanyal. In this film she played the role of an unfortunate girl named Lalana. In the same year, she appeared in her first film opposite Uttam Kumar – the family drama Basu Parivar (1952) directed by Nirmal Dey, which had Supriya Devi in the role of Uttam Kumar’s sister. Sabitri and Uttam Kumar had been friends since 1951, Uttam Kumar offered her to act in a theatrical production to be produced by his group Krishti O Srishti. The Uttam-Sabitri combination became a favourite of the Bengali cine-goers and their friendship withstood strong but false rumours of marriage .

They would be responsible for a series of memorable films including Lakh Taka (1953), Kalyani (1954), Anupama (1954), Raikamal (1955), Nabojanma (1956), Punar Milan (1957), Marutirtha Hinglaj (1959), Raja-Saja (1960), Dui Bhai (1961), Bhranti Bilas (1963), Momer Alo (1964) and Nishipadma (1970). They also had major roles in Mrinal Sen’s first feature film Raat Bhore (1955) and Tapan Sinha’s second effort Upahaar (1955). Bhranti Bilas,Mouchak and Dhanyi Meye rank high among the popular Bengali comedy cinema.

In the early eighties, Sabitri did not appear on screen as before. However, in the late 1980s, she came back with films like Mamoni, Anandalok and Haar-Jeet. Sabitri Chatterjee continues to act in commercial Bengali cinemas and television till date. She is one of the stars of the mega soap opera Sonar Harin that has run more than 1000 episodes.Currently she is acting as Muktokeshi in serial Subarnalata, adaptation of Ashapurna Devi's novel.


Awards of Sabitri Chatterjee:

Best Actress in Supporting Role by The Bengal Film Journalists' Association (BFJA) in 1971. Sangeet Natak Academy Award


Sabitri Chatterjee Filmography:

Hemlock Society (2012)
Podokkhep (2006) .... Shobita
Tapasya (2006)
Haar-Jeet (2000)
Anandalok (1988)
Mamoni (1986)
Brojobuli (1979)
Phool Sajya(1975)
Heerey Manik (1979)
Seyi Chokh (1976)
Sesh Parba (1972)
Dhanyee Meye (1971)
Malyadaan (1971) .... Patal
Pratham Pratissuti (1971)
Nishipadma (1970) .... Padma
Kalankita Nayak (1970)
Manjari Opera (1970) .... Manjari Devi
Pathey Holo Dekha (1968)
Grihadaha (1967) .... Mrinal
Kal Tumi Aleya (1966) .... Sonaboudi
Antaral (1965)
Jaya (1965) .... Jaya
Momer Alo (1964) .... Deepa
Shesh Anka (1963) .... Lata Bose
Uttarayan (1963)
Nav Diganta (1962)
Dui Bhai (1961)
Haat Baraley Bandhu (1960)
Kuhak (1960)
Raja-Saja (1960)
Gali Theke Rajpath (1959)
Marutirtha Hinglaj (1959)
Daak Harkara (1958)
Daktar Babu (1958)
Punar Milan (1957)
Daner Maryada (1956) .... Usha
Nabajanma (1956)
Paradhin (1956)
Raat Bhore (1956)
Raikamal (1955)
Godhuli (1955)
Paresh (1955)
Upahar (1955) .... Krishna
Annapurnar Mandir (1954)
Anupama (1954)
Bidhilipi (1954) .... Sandhya
Bratacharini (1954)
Champadangar Bou (1954)
Kalyani (1954)
Kajari (1953)
Lakh Taka (1953)
Natun Yahudi (1953)
Subhadra (1952) .... Lalana
Basu Paribar (1952)





















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SHABANA AZMI BIOGRAPHY

Shabana Azmi Biography:
Shabana Azmi was born on 18 September 1951, she is an Indian actress of film, television and theatre. An alumna of the Film and Television Institute of India of Pune, she made her film debut in 1974 and soon became one of the leading actresses of parallel cinema, an Indian New Wave movement known for its serious content and neo-realism. Regarded as one of the finest actresses in India, Azmi's performances in films in a variety of genres have generally earned her praise and awards, which include a record of five wins of the National Film Award for Best Actress and several international honours. She has also received four Filmfare Awards.

Azmi has appeared in over 120 Hindi films in both mainstream and independent cinema, and since 1988 she has acted in several foreign projects. In addition to acting, Azmi is a social and women's rights activist, a Goodwill Ambassador of the United Nations Population Fund (UNPFA), and a member of the Rajya Sabha, the upper house of the Indian parliament. She is married to Indian poet and screenwriter Javed Akhtar

Shabana Azmi Personal Life :
Shabana Azmi was born into a Muslim family. Her parents are Kaifi Azmi (an Indian poet) and Shaukat Azmi (a veteran Indian People's Theatre Association stage actress), both of whom were members of the Communist Party of India. Her brother, Baba Azmi, is a cinematographer. Her parents had an active social life, and their home was always thriving with people and activities of the communist party. It was not unusual for her to wake up in the morning and find members of the communist party sleeping about, from a previous night's communist social that ran late. Early in childhood, the environment in her home was inculcated into her a respect for family ties, social and human values; and her parents always supported her to develop a passion for intellectual stimulation and growth.

Azmi did her schooling at the premier girl's school, Queen Mary School, Mumbai. She completed a graduate degree in Psychology from St. Xavier’s College, Mumbai, and followed it with a course in acting at the Film and Television Institute of India (FTII), Pune. She described the reason she decided to attend the film institute, saying, "I had the privilege of watching Jaya Bhaduri in a (Diploma) film, Suman, and I was completely enchanted by her performance because it was unlike the other performances I had seen. I really marvelled at that and said, 'My god, if by going to the Film Institute I can achieve that, that's what I want to do.'" Azmi eventually topped the list of successful candidates of 1972.

In the initial stage of her career, she was linked to film director Shekhar Kapur. She married Javed Akhtar, a lyricist, poet and Bollywood scriptwriter on 9 December 1984, making her a member of the Akhtar-Azmi film family. It was Akhtar’s second marriage, the first being with Bollywood scriptwriter, Honey Irani. However Shabana's parents objected her to being involved with a very much married man with 2 children Indian actresses Farah Naaz and Tabu are her nieces. Shabana has no children of her own.

Shabana Azmi Film Career:
Azmi graduated from the FTII in 1973 and went on to sign on Khwaja Ahmad Abbas' Faasla and began work on Kanti Lal Rathod's Parinay as well. Her first release, however, was Shyam Benegal's directorial debut Ankur (1974). Belonging to the arthouse genre of neo-realistic films, Ankur is based on a true story which occurred in Hyderabad.

"Indian politics has been unfair to Muslims and despite Indian secularism Muslims are discriminated against. I wanted to buy a flat in Bombay and it wasn't given to me because I was a Muslim and I read the same about Saif (Ali Khan). Now, I mean, if Javed Akhtar and Shabana Azmi cannot get a flat in Bombay because they are Muslims, then what are we talking about? I don't think that the Muslim leadership has bothered to clear the air about what Islam actually is." —Shabana talking about unfairness toward Muslims in India.

Azmi played Lakshmi, a married servant and villager who drifts into an affair with a college student who visits the countryside. Azmi was not the original choice for the film, and several leading actresses of that time refused to do it. The film went on to become a major critical success, and Azmi won the National Film Award for Best Actress for her performances. Upperstall.com described her work in the film as "an outstanding psychologically penetrating performance very different from those seen normally till then in mainstream Hindi cinema", and famous independent filmmaker Satyajit Ray commented, "In Ankur she may not have fitted immediately into her rustic surroundings, but her poise and personality are never in doubt. In two high pitched scenes, she pulls out the stops to firmly establish herself as one of our finest dramatic actresses". She went on to receive the National Film Award consecutively for three years from 1983 to 1985 for her roles in movies, Arth, Khandhar and Paar. Another film Godmother (1999) earned her another National Film Award, taking her tally to five.

Azmi’s acting has been characterized by a real-life depiction of the roles played by her. In Mandi, she acted as a madam of a whorehouse. For this role, she put on weight and even chewed betel. Real life portrayals continued in almost all her movies. These included the role of a woman named Jamini resigned to her destiny in Khandhar and a typical urban Indian wife, homemaker and mother in Masoom.

She also acted in experimental and parallel Indian cinema. Deepa Mehta’s 1996 film Fire depicts her as a lonely woman, Radha, in love with her sister-in-law. The on-screen depiction of lesbianism (perhaps the first in Indian cinema) drew severe protests and threats from many social groups as well as by the Indian authorities. Her role as Radha brought her international recognition with the Silver Hugo Award for Best Actress at the 32nd Chicago Film Festival and Jury Award for Best Actress at Outfest, Los Angeles.

She was the initial choice for Deepa Mehtha's Water which was actually planned to hit the floors on 2000. Few scenes were already shot. Shabana Azmi had to shave her head with Nandita Das to portray the character of Shakuntala. However, due to political reasons, the film was shelved and later shot in 2005 with Seema Biswas replacing Azmi.

Some of her notable films include Shyam Benegal's Nishant (1975), Junoon (1978), Susman (1986), and Antarnaad (1992); Satyajit Ray’s Shatranj Ke Khiladi; Mrinal Sen’s Khandhar, Genesis, Ek Din Achanak; Saeed Mirza’s Albert Pinto Ko Gussa Kyon Aata Hai; Sai Paranjpye’s Sparsh and Disha; Gautam Ghose’s Paar; Aparna Sen’s Picnic and Sati; Mahesh Bhatt’s Arth; Vinay Shukla’s Godmother. Her other films include the commercially successful Manmohan Desai's Amar Akbar Anthony and Parvarish and Prakash Mehra’s Jwalamukhi. Azmi starred in Hollywood productions such as John Schlesinger’s Madame Sousatzka (1988) and Roland Joffe’s City of Joy (1992).

Azmi debuted on the small screen in a soap opera titled Anupama. She portrayed a modern Indian woman who, while endorsing traditional Indian ethos and values, negotiated more freedom for herself. She had participated in many stage plays, and notable among them include M. S. Sathyu’s Safed Kundali (1980), based on The Caucasian Chalk Circle; and Feroz Abbas Khan's Tumhari Amrita with actor Farooq Sheikh, which ran for five years. She toured Singapore on an assignment with the Singapore Repertory Theatre Company, acting in Ingmar Bergman’s adaptation of Ibsen’s A Doll's House, which was directed by Rey Buono.

Pointing out the differences in all these media, she once remarked that theatre was really the actor’s medium; the stage was actor’s space; cinema was the director’s medium; and television was a writer’s medium


Shabana Azmi Social Activities:
Shabana Azmi has been a committed social activist, active in supporting child survival and fighting AIDS and injustice in real life. Azmi has voiced her opinion on a variety of issues. Initially, her activism drew skepticism and was dubbed by some as a publicity gimmick. However, she proved her critics wrong and used her celebrity status to emerge as a high-profile social activist.

She had participated in several plays and demonstrations denouncing communalism. In 1989, along with Swami Agnivesh and Asghar Ali Engineer, she undertook a four-day march for communal harmony from New Delhi to Meerut. Among the social groups whose causes she has advocated are slum dwellers, displaced Kashmiri Pandit migrants and victims of the earthquake at Latur (Maharashtra, India). The 1993 Mumbai riots appalled her and she emerged as a forceful critic of religious extremism. After the 11 September 2001 attacks, she opposed the advice of the grand mufti of Jama Masjid calling upon the Muslims of India to join the people of Afghanistan in their fight by retorting that the leader go there alone.

She has campaigned against ostracism of victims of AIDS. A small film clip issued by the Government of India depicts an HIV positive child cuddled in her arms and saying: "She does not need your rejection, she needs your love". In a Bengali film named Meghla Aakash she played the role of a physician treating AIDS patients.

She has also given her voice to an HIV/AIDS education animated software tutorial created by the nonprofit organization TeachAIDS.

Since 1989, she has been a member of the National Integration Council headed by the Prime Minister of India; a member of National AIDS Commission (of India); and was nominated (in 1997) as a member of the Rajya Sabha, the upper house of the Indian parliament. In 1998, the United Nations Population Fund appointed her as its Goodwill Ambassador for India


Awards of Shabana Azmi:


National Awards:

Azmi has received the National Film Award for Best Actress five times, making her the overall most-awarded actor in the function:
1975 - National Film Award for Best Actress, Ankur
 1983 - National Film Award for Best Actress, Arth
 1984 - National Film Award for Best Actress, Khandhar
 1985 - National Film Award for Best Actress, Paar
 1999 - National Film Award for Best Actress, Godmother

Filmfare Awards:

Winner:
 1978 - Filmfare Best Actress Award for Swami
 1984 - Filmfare Best Actress Award for Arth
 1985 - Filmfare Best Actress Award for Bhavna
 2006 - Filmfare Lifetime Achievement Award

Nominated:
 1975 - Filmfare Best Actress Award for Ankur
 1981 - Filmfare Best Actress Award for Thodisi Bewafaii
 1984 - Filmfare Best Actress Award for Masoom
 1984 - Filmfare Best Actress Award for Avtaar
 1984 - Filmfare Best Actress Award for Mandi
 1985 - Filmfare Best Actress Award for Sparsh
 2003 - Filmfare Best Villain Award for Makdee
 2004 - Filmfare Best Supporting Actress Award for Tehzeeb
 
International awards:
 1993: Best Actress award for Libaas in North Korea
 1994: Best Actress award for Gautam Ghose’s Patang at the Taormina Arte Festival in Italy
 1996: Silver Hugo Award for Best Actress for Fire at the Chicago International Film Festival.
 1996: Outstanding Actress in a Feature Film, for Fire in L.A. Outfest.
 
Other awards:
 Azmi won the award for Best Actress (Hindi) at the Bengal Film Journalists' Association Awards (BFJA) for Ankur in 1975, Paar in 1984, Ek Pal in 1987, and Godmother in 1999. She won the Best Supporting Actress (Hindi) award for Tehzeeb in 2003.
 1998: Star Screen Award Best Supporting Actress for Mrityudand.
 2004: Zee Cine Award Best Actor in a Supporting Role- Female for Tehzeeb.
 2005: Star Screen Awards - Best Performance in an Indian Film in English for Morning Raga

Honours and recognitions:
 1988: Awarded the Padma Shri from the Government of India.
 1988: Yash Bhartiya Award by the Government of Uttar Pradesh for highlighting women’s issues in her work as an actress and activist.
 1994: Rajiv Gandhi Award for "Excellence of Secularism"
 1999: Mumbai Academy of the Moving Image, Significant Contribution to Indian Cinema.
 2002: Martin Luther King Professorship award by the University of Michigan conferred on her in recognition of her contribution to arts, culture and society.
 2003: She was conferred with an Honorary Doctorate by the Jadavpur University in West Bengal in 2003.
 2006: Gandhi International Peace Award, awarded by Gandhi Foundation, London.
 2007: She was conferred with an Honorary Doctorate in Art by Chancellor of the University Brandan Foster by the Leeds Metropolitan University in Yorkshire
 2008: She was conferred with an Honorary Doctorate by the Jamia Milia University on Delhi in 2008
 2009: She was honoured with the World Economic Forum’s Crystal Award
 2012: Awarded the Padma Bhushan by the Government of India.
 2013: Awarded the Honorary Fellowship by the National Indian Students Union UK
 2013: She was conferred with an Honorary Doctorate by Simon Fraser University.



Shabana Azmi Filmography:

 Ankur (1974) - Laxmi
 Nishant (1976) - Sushila
 Fakira (1976) Geeta / Neeta C I D Police Inspector
 Shatranj Ke Khiladi (1977) - Khurshid
 Amar Akbar Anthony (1977) - Laxmi
 Junoon (1978) - Firdaus
 Swami (1978) - Saudamini
 Sparsh (1980) - Kavita
 Arth (1982) - Mrs. Pooja Inder Malhotra
 Masoom (1983) - Indu D. Malhotra
 Mandi (1983) - Rukmini Bai
 Shart (1986)- Kiran Dutt
 The Bengali Night (1988) - Mrs. Sen
 Madame Sousatzka (1988) - Sushila
 City of Joy (1992) - Kamla Pal
 In Custody (1993) - Imtiaz Begum
 Son of the Pink Panther (1993) - Queen
 Fire (1996) - Radha
 Saaz (1997) - Bansidhar (Bansi) Vrundavan
 Side Streets (1998) - Mrs. Chandra Bipin Raj
 Earth (1998) - voice of older Lenny
 Godmother (1999) - Rambhi
 Makdee (2002) - Makdee
 Tehzeeb (2003) - Rukhsana Jamal
 Morning Raga (2004) - Swarnlatha
 15 Park Avenue (2005) - Anjali "Anju" Mathur
 Waterborne (2005) - Heera Bhatti
 Umrao Jaan (2006) - Khannum Jaan
 Honeymoon Travels Pvt. Ltd. (2007) - Nahid
 Loins of Punjab Presents (2007) - Rita Kapoor
 Sorry Bhai! (2008) - Mother Gayatri
 It's a Wonderful Afterlife (2010) - Mrs. Sethi
 Kalpvriksh (Film) (2012) - Gypsy Woman
 Matru Ki Bijlee Ka Mandola (2012) - Chaudhari Devi
 The Reluctant Fundamentalist (2013)




















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ISHA TALWAR BIOGRAPHY

Isha Talwar Biography:
Isha Talwar is born on December 22, 1987 in Mumbai, Maharashtra. She is an Indian film and television actress. After she worked as a model and appeared in various commercial, she made her film debut with the 2012 Malayalam film Thattathin Marayathu.

Early and Personal life:
Isha Talwar is the daughter of Vinod Talwar, who works as a director and executive producer for Boney Kapoor in Bollywood. Born and brought up in Mumbai, she graduated from St. Xavier's College, Mumbai in 2008. She joined choreographer Terence Lewis's dance school in 2004 where she learned various dance forms like ballet, jazz, hip-hop and salsa and went on to become a tutor in the dance studio. She stated that Lewis was "one person who changed me completely".

Isha Talwar Film Career:
Isha Talwar worked as a model and appeared in 40 commercials for brands like Pizza Hut, Vivel Fairness Cream, Dulux Paints and Dharti Fairness Cream, besides a music video with Hrithik Roshan for the Just Dance competition. She says she spent two years preparing for her film debut She started her film career with the Malayalam film Thattathin Marayathu,for which she took a four month voice training class, went through a course to learn the language, and learned to play the guitar. The film which saw her play Aisha, a Muslim girl who falls in love with a Hindu boy, became a blockbuster and was listed by Rediff in their "Top five Malayalam films of 2012"-list. Critics noted that she "looked beautiful", but had "nothing much to do" in the film. In a later interview, she stated that the role of Aisha had given her "a lot of recognition" and that she was "really happy with" her girl next door image from the film. Her second film I Love Me by B. Unnikrishnan had her playing the female lead alongside Asif Ali and Unni Mukundan. She told that her character in the film Samantha had "shades of grey". In 2013, she made her Telugu debut in Gunde Jaari Gallanthayyinde,which opened to a positive response. She is working on her first Tamil film Thillu Mullu 2, a remake of the same-titled 1981 Tamil comedy film.

Isha Talwar Gossips:
Isha is a cool and Bubbly upcoming actress in india. Somes Rumors are all ready Spread in Bollywood Film Industry that she runned an hot affair with Bollywood Young Hero. But she dines those comments and she says that she dont have any affairs. She says that if the Scprit demands for Exposing then she would think about to do this!!! She says that her sexy appeal was her smile.

Isha Talwar Filmography:

2000
Hamara Dil Aapke Paas Hai - Preeti's sister - Hindi 

2012
Thattathin Marayathu - Aisha Rehman - Malayalam SIIMA Award for Best Female Debutant, Vanitha Film Awards - Best Female Debut, Asianet Film Award for Best Star Pair (shared with Nivin Pauly) Nominated - Asianet Award for Best Female New Face of the Year
I Love Me - Samantha - Malayalam 
The Restaurant Couple - English Short - Film 

2013
Gunde Jaari Gallanthayyinde - Shruti - Telugu 
Thillu Mullu - Janani - Tamil 
RED - Malayalam Cameo appearance Filming
Balyakalasakhi - Suhra - Malayalam Filming

Isha Talwar Television Shows:

2010
Rishtey (season 2)  Hindi Episode 68: "Itni Chhoti Baat, Itni Lambi Raat"

Isha Talwar Awards:

2013
Asianet Film Award for Best Star Pair - Thattathin Marayathu
Vanitha Film Award for Best Debut (Female) - Thattathin Marayathu
Amrita Film Award for Best Pair - Thattathin Marayathu
Asiavision Movie Award for New Sensation Actress - Thattathin Marayathu
Indian Movie Award In Qatar For Best Debutant Actress - Thattathin Marayathu
Pearl Movie Award For Best Debutant Actress - Thattathin Marayathu
60th Idea Filmfare awards south for Best Debutant Actress - Thattathin Marayathu
SIIMA Award for Best Female Debutant - Thattathin Marayathu




















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SANA KHAN BIOGRAPHY

Sana Khan Biography:
Sana Khan is born on August 21, 1987,Mumbai, Maharashtra, India. She is an Indian actress, model and dancer. sana Khan began her career in modeling and went on to appear in advertisements and feature films. She has appeared in south Indian films, TV commercials, dance performances in films in special appearance, and for a reality television show. She has acted in 14 films across 5 languages and has appeared in over 50 ad films.

Early Life:
Sana Khan was born on August 21, 1987 in Mumbai. She was raised in Mumbai. Her father is originally from Kannur, Kerala; and her mother, Saeeda, is from Mumbai, Sana Khan completed her high school (12th grade) from Mumbai and did not pursue any further studies as she became involved in modeling at an early age.

Sana Khan Film career:
Khan started doing modeling assignments after completing her high school. She made her acting debut in the low-budget adult Hindi film Yehi Hai High Society, which was released in March 2005. She subsequently started appearing in television commercials and other ad films.
Khan's debut Tamil film Silambattam was produced by Lakshmi Movie Makers,and was released in December 2008. Silambarasan, the film's lead actor, who had vainly tried to sign her for a role in his film Kettavan, called her again for the female lead role in Silambattam after seeing her ad with Shahrukh Khan. She said in an interview with The Hindu, "Silambarasan came to Mumbai looking for a fresh face for his film Silambattam. There he saw me and selected me. I knew I had to work hard to make it big in the Tamil film industry".Sana Khan regards the film as her first break. She received praise for her portrayal of a talkative, tomboyish brahmin village girl named Janu in the film, and won the 2009 ITFA Best New Actress Award in Singapore.

In March 2010, her next Tamil film, Thambikku Indha Ooru was released. Later that year, Khan ventured into the Telugu film industry, appearing in Nandamuri Kalyan Ram's Kalyanram Kathi, which was released in November 2010. Khan's next release was the February 2011 bilingual thriller Gaganam / Payanam – shot in Telugu and Tamil, respectively – which was based on an airplane high-jack theme.

In May 2011, Khan stepped into Kannada films with Golden Movies' Kool...Sakkath Hot Maga. In September 2011,her next Tamil film, Aayiram Vilakku, was released, in which Khan played the role of a Madurai girl. In the March 2012 Telugu film Mr. Nookayya Khan played the role of a waitress in a pub, adding glamour to the film. Khan will be making her Malayalam film debut with Climax that is loosely based on the Hindi film The Dirty Picture and will be playing the role of late South Indian actress Silk Smitha. Sana Khan has also signed up her sixth Tamil film, Thalaivan with Bas, which is being produced by Blue Ocean Pictures. She got a major breakthrough in Bollywood with Sohail Khan Productions film, Jai Ho, where she plays a lead female role,With the shooting of the film having started in March 2013 in Dubai,

Sana Khan Dance performances in films and music videos:
Sana Khan is known for her dance performances in films in a special appearance – popularly known as item numbers in Bollywood parlance. She gave her first such performance on a song in the Tamil film E, which was released in October 2006. In July 2007, she appeared in a music video in the Hindi film Bombay to Goa. Sana Khan acted in Abbas Ali Mirza's music video for his album Sitam – Peak of Passion. The video was shot in July 2007 in Gemini Studios by Colossus. Her next dance role was for the November 2007 Hindi movie, Dhan Dhana Dhan Goal,in which her performance on the song Billo Rani soared her popularity. Apart from films, Khan also did a dance performance on TV for Zee TV's drama program, Meri Doli Tere Angana in one episode

Sana Khan TV commercials:
Sana Khan has acted in over 50 ad films, including a cosmetic commercial directed by Shirish Kunder in July 2007. She has also done a commercial for the deodorant brand, Secret Temptation and for Yatra.com. She has done an advertisement for Xbox 360 video game console.
In March 2007, Khan 's TV commercial for the men's underwear brand, Amul Macho, showed her provocatively scrubbing and washing an underwear, simulating an orgasm. It created a strong controversy and was banned by the Indian government on the grounds of sexual profanity. Sana Khan responded in an interview, "Forget about the ban and people taking out morchas (protests) against me and burning my posters in Bombay (Mumbai). At the end of it people from the creative field have loved it." The company re-hired Khan, shot a sequel to that commercial with a different theme, and released it in February 2008

Sana Khan in BigBoss:
In October 2012, Khan participated in the Indian celebrity reality TV show Bigg Boss Season 6 as a contestant. Before entering the show, she said in an interview, “I am going to flaunt my age and the fact that I am the youngest. I am going into the house without any preparation. I want to be spontaneous and show the world the real me.” She gained a lot of popularity from the audience and managed to stay in the show till the end, though she stood third in the show. She told PTI, "I am happy to have reached top three. I did not expect this."

Sana Khan Personal Life:
Sana Khan lives in Mumbai in a 1000 sq feet house with her mother and a maid.,but is presently in a process of moving to a new bigger house in Lokhandwala, Andheri.

Sana Khan Filmography:

2005
Yehi Hai High Society - Sonia - Hindi 

2006
E - Special appearance Tamil Performed in a music video

2007
Bombay to Goa - Special appearance - Hindi Performed in a music video
Dhan Dhana Dhan Goal - Special appearance - Hindi Performed in the music video Billo Rani

2008
Silambattam - Jaanu - Tamil Winner, ITFA Best New Actress Award
Halla Bol - Sania - Hindi 

2010
Thambikku Indha Ooru - Divya - Tamil 
Kalyanram Kathi - Anjali - Telugu 

2011
Gaganam - Sandhya - Telugu 
Payanam - Sandhya - Tamil 
Kool...Sakkath Hot Maga - Kajol - Kannada 
Aayiram Vilakku - Megha - Tamil 

2012
Mr. Nookayya - Shilpa - Telugu 

2013
Oru Nadigayin Diary - Pongkodi/Sumitha - Tamil 
Climax (2013 film) - Poonkodi/Supriya - Malayalam 
Thalaivan - Tamil Filming

2014
Jai Ho - Hindi- Post Production


Sana Khan Television Show:

2012
Bigg Boss 6 - 3rd Place Evicted Day 97


















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